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KEEP CALM AND CARRY A BIG DRINK

From the There's Cake in My Future series , Vol. 2

Although the humor can be forced and crude, Gruenenfelder’s characters are charismatic, entertaining and distinctive.

Gruenenfelder (There’s Cake in My Future, 2010, etc.) brings back wisecracking college friends Nic, Mel and Seema as the three prepare for another wedding and one friend follows her dreams.

Mother-to-be Nic and single teacher Mel are on hand when it’s their friend Seema’s turn to get married, and they’re determined everything will go according to plan. That’s a pretty tall order, especially since Nic’s bridal shower game, the cake pull, resulted in a major mix-up, and she’s planned the same game for Seema’s shower. This time, Nic assures Mel and Seema, the cake’s set up perfectly, and the three friends will pull out the charm that’s meant for each of them. It’s foolproof, at least in theory. Each girl ends up with a different charm, and rather than the passport (signifying travel) she’s been promised, Mel ends up with a money tree (signifying reward). That’s not the only problematic aspect of the wedding week, however. As members of both families flock into town to attend two very different ceremonies—an Indian-style extravaganza involving the groom riding astride a white stallion and a conservative Western-style walk down the aisle—Nic’s jolted with pains, and Seema and Scott find themselves with pre-wedding jitters and facing a possible catastrophe before the nuptials. Mel can handle the snags in her friends’ lives, but she’s not as adept at handling her own problems. She needs to find a new place to live, faces the possibility of losing her job, and is in a relationship drought. One of the problems is solved when Seema’s suave, hunky older brother flies in from France for the wedding, and his visit awakens Mel to other possibilities that take her from the streets of Paris to the canals of Venice and the beaches of Hawaii. Although her journey doesn’t always go smoothly or as planned, the charm proves prophetic as Mel seizes control of her own destiny and finds fulfillment.

Although the humor can be forced and crude, Gruenenfelder’s characters are charismatic, entertaining and distinctive.

Pub Date: Dec. 24, 2013

ISBN: 978-1-250-00504-5

Page Count: 320

Publisher: St. Martin's Griffin

Review Posted Online: Nov. 13, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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