Although the humor can be forced and crude, Gruenenfelder’s characters are charismatic, entertaining and distinctive.
Gruenenfelder (There’s Cake in My Future, 2010, etc.) brings back wisecracking college friends Nic, Mel and Seema as the three prepare for another wedding and one friend follows her dreams.
Mother-to-be Nic and single teacher Mel are on hand when it’s their friend Seema’s turn to get married, and they’re determined everything will go according to plan. That’s a pretty tall order, especially since Nic’s bridal shower game, the cake pull, resulted in a major mix-up, and she’s planned the same game for Seema’s shower. This time, Nic assures Mel and Seema, the cake’s set up perfectly, and the three friends will pull out the charm that’s meant for each of them. It’s foolproof, at least in theory. Each girl ends up with a different charm, and rather than the passport (signifying travel) she’s been promised, Mel ends up with a money tree (signifying reward). That’s not the only problematic aspect of the wedding week, however. As members of both families flock into town to attend two very different ceremonies—an Indian-style extravaganza involving the groom riding astride a white stallion and a conservative Western-style walk down the aisle—Nic’s jolted with pains, and Seema and Scott find themselves with pre-wedding jitters and facing a possible catastrophe before the nuptials. Mel can handle the snags in her friends’ lives, but she’s not as adept at handling her own problems. She needs to find a new place to live, faces the possibility of losing her job, and is in a relationship drought. One of the problems is solved when Seema’s suave, hunky older brother flies in from France for the wedding, and his visit awakens Mel to other possibilities that take her from the streets of Paris to the canals of Venice and the beaches of Hawaii. Although her journey doesn’t always go smoothly or as planned, the charm proves prophetic as Mel seizes control of her own destiny and finds fulfillment.
Although the humor can be forced and crude, Gruenenfelder’s characters are charismatic, entertaining and distinctive.Pub Date: Dec. 24, 2013
ISBN: 978-1-250-00504-5
Page Count: 320
Publisher: St. Martin's Griffin
Review Posted Online: Nov. 13, 2013
Kirkus Reviews Issue: Dec. 1, 2013
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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