Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.
A debut YA fantasy stars a princess who must venture forth into the world before she’s allowed to rule.
Princess Adriana of Ayrden has just turned 16. Traditionally, royals of the kingdom leave on a Journey during their 16th year, and if they return, they may someday rule. Adriana’s Teachers—in skills like fencing and archery—say that she’s ready to leave, but she may take only a minimum of food and no weapons. The royal Gifters, however, bestow upon her the traits of courage, fidelity, and kindness. With these qualities, along with her father’s advice that “when you are worried you will not make your best decisions,” she departs Ayrden on a horse named Sultan. She rides until reaching a clearing in the nearby forest. Strangely, no animals, including birds, enliven the scene. After a nap, she wakes to the sound of woodland calamity, as trees uproot and shift, eventually presenting her with three paths to choose from: one lined with gemstones, one limned in golden light, and another marked by simple grass. For the sake of Sultan, Adriana takes the prosaic grassy trail and finds herself in the land of Chehalem, where odd new friends and foes await. In her novel, Stump crafts a voluptuous, nuanced fantasy that fans of classics like Peter Beagle’s The Last Unicorn should enjoy. As Adriana explores each of the three routes, readers are treated to gorgeous sights and inventive sounds, like one scene in which “The walls of the ravine were green stone, and bright violet and amethyst flowers spilled down the steep embankments until they touched the water.” The prose nearly lulls a reader into believing Adriana’s Journey is all whimsy and self-discovery, yet dangers crop up (including lost uncles, slave traders, and dragons) that add grim shading to this multifaceted narrative. Certain magical elements, like how the forest changes shape, remain mysterious throughout, which allows Stump’s capable heroine and her accomplishments to carry more narrative weight.
Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.Pub Date: Aug. 14, 2016
ISBN: 978-0-9975914-0-8
Page Count: 330
Publisher: Foxcroft Publishing
Review Posted Online: Aug. 30, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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