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THE ART OF UNCONTROLLED FLIGHT

The narrative lacks thrust, and the flight could be less controlled, but it shows promise of better work to come, once the...

Air Force flyer wrestles with her demons during Desert Storm.

In carefully cadenced prose, debut novelist Ponders diffidently explores the fallout from only-child Annie Shaw’s relationship with the distant, cold father she reveres. He was a pilot and Air Force veteran, and Annie wanted to emulate him even as a child, when she preferred eavesdropping on war stories to passing hors d’oeuvres at her parents’ cocktail parties. However, when her father’s infidelities seemingly lead to her mother’s death, she and ruggedly handsome Dad become transients, living with a succession of his mistresses and wives. The section expounding Annie’s childhood is more engrossing than those detailing Annie’s experiences as an Air Force Academy cadet and an anomalous female pilot deployed to Saudi Arabia after the invasion of Kuwait. The military scenes suffer from an excess of downtime and acronyms. A mostly extraneous middle section follows the careers of Annie’s male comrades as they switch war zones, from Kosovo to Kandahar. There are some gripping moments, including a mission during which Annie inadvertently exposes her crew to a missile attack. The affectless narration jumps around in time and shifts from first- to third-person point of view, but the protagonist’s secret self is always held close to her flight vest. A detached reportorial voice, emphasizing physical detail more than psychological depth, glosses over Annie’s feelings of guilt after her mother dies in a house fire. Similarly undocumented are the course of her estrangement from her father and the reasons she married thinly sketched Dexter. When the missile mishap results in a medal rather than court martial thanks to the intervention of ex-lover Jago, Annie’s feelings about the deception are obscured because the facts are laid out so dispassionately.

The narrative lacks thrust, and the flight could be less controlled, but it shows promise of better work to come, once the author stops withholding.

Pub Date: Oct. 1, 2005

ISBN: 0-06-078608-6

Page Count: 192

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2005

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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