Too much sugar, not enough salt.

SPOON FED

HOW EIGHT COOKS SAVED MY LIFE

A salmagundi of memoir, cookbook and self-help bromides by New York Times food writer Severson.

Gradually delineating her many troubled years, the author writes about how she recognized and accepted her lesbianism, struggled with alcohol and substance abuse, survived fractured love affairs and coped with feelings of personal insufficiency. She made transformative job changes—from Alaska to San Francisco to New York—and tried to understand her ambivalence toward her own family, a complex attitude that ignites some of her somewhat sophomoric epiphanies near the end of the book. Severson punctuates her journey with stops to reflect on some iconic cooks who influenced her. “My heroes,” she writes, “are women who never abandoned the kitchen. They use cooking as a source of strength.” Each segment ends with a relevant recipe. Among the notables she visits, and reveres, are Marion Cunningham and Alice Waters (in the Bay Area), Ruth Reichl (New York), Leah Chase (New Orleans), Edna Lewis (Atlanta) and—perhaps surprisingly—Rachael Ray (“I mean, who doesn’t like to feel a little close to a celebrity?”). Severson begins and ends with her mother, who emerges as a lodestar as the text progresses. Throughout, the author is a fiery advocate for the importance of home cooking and family meals. Cooking for, and with, those you love, she writes, is one of life’s great pleasures. The recipes range from gumbo to sour cornbread. Though Severson characterizes herself as a hard worker, she did not work hard enough on her diction, which leaps back and forth from cliché (“a New York minute”) to treacly Wayne Dyer–isms (“The most valuable thing I have is who I am”).

Too much sugar, not enough salt.

Pub Date: May 1, 2010

ISBN: 978-1-59448-757-6

Page Count: 240

Publisher: Riverhead

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: April 1, 2010

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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