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TRAIL OF CRUMBS

HUNGER, LOVE, AND THE SEARCH FOR HOME

Vivid writing—and an inspiration to head to the kitchen.

A restless young woman’s poignant search for identity, accompanied by dozens of recipes.

The founding food editor of Cottage Living magazine, Sunée was abandoned in a South Korean market at age three, adopted by a young American couple and raised in New Orleans. Uncertain of her exact age and ethnicity, she describes herself as a fish swimming upstream, someone who has been lost her whole life. She moved to Europe in her early 20s and met a wealthy French businessman, Olivier, who took over her life. He was older, not quite divorced and—though Sunée doesn’t use the words—clearly a control freak. As Olivier’s mistress, she wanted for nothing—except independence and her own identity. He planned all the details of their lives, arranged their travels and chose their friends. She tried to mother his young daughter and prepared sumptuous meals for his frequent guests. Almost every chapter ends with at least one and sometimes three or four recipes: crab, crawfish and po-boy sandwiches she learned to make from her New Orleans grandfather; directions for kimchi, a Korean salad; and many French dishes, including gratin de salsify, crème caramel and figs roasted in red wine with cream and honey. (Recipes may or may not be linked to the chapter that precedes them.) Sunée eventually left Olivier, lived alone and supported herself in Paris. She made her own friends and had an unhappy love affair, again with a married man. The mouthwatering recipes taper off at this point in her memoir, but there is still much about food and drink. The author closely observes and skillfully records all the nuances of texture, color, aroma and taste. From the crumbs in the fist of an abandoned three-year-old to bowls of richly sauced pasta, her text chronicles the entwining of food with security and love. At the end, Sunée is still restless, still seeking, still hungry.

Vivid writing—and an inspiration to head to the kitchen.

Pub Date: Jan. 8, 2008

ISBN: 978-0-446-57976-6

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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