A breathtaking example of scholarship and storytelling, enriched by ample illustrations of Merian’s work.
An extraordinary portrait of an artist and amateur naturalist who explored the teeming life of the Amazon and helped lay the groundwork for our present-day understanding of ecology.
Daughter of a prominent Frankfurt publisher of illustrated books, Maria Sibylla Merian (1647–1717) mastered the art of drawing and engraving while studying the metamorphosis of silkworms. She went on to paint the larvae of butterflies and moths and to raise important questions about the role of intermediate life forms. With a detective’s eye, PEN/Jerard Fund Award–winner Todd (Tinkering with Eden, 2001) has pieced together the life of this neglected genius who charted the micro-world of insects. While male contemporaries considered a species in isolation, Merian looked at its relationship to the environment, its sensitivity to change and its long-term survival strategies. Todd gives equal time to Merian’s own metamorphosis. The artist abandoned her husband and took up residence in an austere Pietist community in the Netherlands. She sold her paintings to support her mother and her daughters. She befriended naturalists, scientists and collectors in Amsterdam during its Golden Age, produced a popular book on caterpillars and at age 52 set off for the Amazon to document new species and collect snakes, iguanas and geckos for resale back home. Merian sold everything to finance her journey, braving tarantulas and yellow fever to produce a landmark work. After her death, Peter the Great purchased her paintings and field notes, which later languished in vaults until long after the Russian revolution. European publishers pirated her prints and displayed them out of order, misrepresenting her main ideas. Todd’s long overdue re-examination of Merian’s work shows the extent of her scientific contributions and reminds us how much of our early understanding of biology depended on the keen eye of the amateur. This bold, wide-ranging text also considers the theological view of metamorphosis, the controversy over spontaneous generation, Merian’s connection to other accomplished women of her day, her opposition to slavery in Surinam and her reliance on Amerindians to bring her specimens.
A breathtaking example of scholarship and storytelling, enriched by ample illustrations of Merian’s work.Pub Date: Jan. 8, 2007
ISBN: 0-15-101108-7
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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