Soulful and satisfying.
Tate has gumption, and it's a good thing: She’s the only one who has faith in her ability to sing—except for her little brother, Frog, and everyone seems surprised whenever Tate mentions him.
Tate explains all this and more in her pen-pal letters to Hank Williams. Her teacher has arranged an exchange of letters with Japanese students, but it's too soon after World War II for Tate’s comfort; besides, she and Hank have singing in common. Sassy and observant, Tate also tells him how her parents travel while she lives in a house by a cemetery with her aunt, uncle and Frog. She helps Aunt Patty Cake sell cosmetics—except in Pine Bend where colored folks live, but her aunt won’t explain why this is. Writing proves therapeutic, and Tate begins to revise half-truths: She has no idea where her father is, and Momma is in jail. And Tate almost gives up the idea of the talent contest she’s had her heart set on entering when her new dog, Lovie, goes missing: She’s too sad to sing. It's while searching for Lovie in the cemetery that Tate faces, finally, the lie she's been telling herself about her most sorrowful loss. Real to the period and place, subtle and gently paced, Tate's story is heartbreaking but hopeful; when she sings, Tate remembers the good times.
Soulful and satisfying. (Historical fiction. 8-12)Pub Date: May 19, 2015
ISBN: 978-0-8050-8022-3
Page Count: 224
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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