All right, all right: The mystery, as usual in this waggish series (The Mile High Club, 2000, etc.), is no more substantial...
Now that his Vandam Street Irregulars are all out of town—Stephanie DuPont’s in Nassau, Ratso Sloman in Montauk, Steve Rambam in Israel, Mike McGovern in Hawaii collecting recipes for his new cookbook Eat, Drink, and Be Kinky—is it finally time for Kinky Friedman to get a life of his own? Of course not. A pair of phone calls—the first from beekeeper-turned-newspaperman Willis Hoover reporting McGovern’s sudden disappearance from a Waikiki beach, the second including McGovern’s trademark distress signal—“MIT!—MIT!—MIT!”—announces that McGovern’s indeed a Man in Trouble, and that Kinky and the returning Stephanie have to get megamillionaire John McCall to fly them and Stephanie’s pain-in-the-neck dogs to the islands. The good news is that McGovern’s mayday strongly suggests that he’s not dead; certainly he’s not the corpse the Hawaiian authorities identify as his. Nor is a mental inmate in the institution Kinky and his diminished forces visit, or the kidnap victim a pair of low-level thugs try to ransom. But if McGovern’s in no danger, what’s his connection to the vanishing years ago of a pair of priceless Island relics, and the current vanishing of investigative reporter Carline Ravel?
All right, all right: The mystery, as usual in this waggish series (The Mile High Club, 2000, etc.), is no more substantial than peach fuzz. This time, though, Kinky’s patter is disappointingly thin too. As he’d be the first to admit, he needs his posse, or at least his cat, rather than a row of Penis Coladas to bounce off his peerless non-sequiturs.Pub Date: Sept. 1, 2001
ISBN: 0-684-86487-8
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
Thinness aside: riveting stuff, with language so frank it curls your hair.
Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect(1994), which mixes sexual history with political diatribe, is popular in schools countrywide.
In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: He murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come.
Thinness aside: riveting stuff, with language so frank it curls your hair.Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.
His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.
This is Ellison's first novel, but he has complete control of his story and his style. Watch it.
Pub Date: April 7, 1952
ISBN: 0679732764
Page Count: 616
Publisher: Random House
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: April 1, 1952
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