An ambitious interplanetary tale that’s hampered by haphazard execution.
Aliens, mercenaries, and hyperevolved house cats collide in a drug-fueled, blood-soaked road quest to save the world in Hammond’s SF novel.
Away in the far reaches of space, the planet Halteres is home to the Arca Trochia, an omniscient fungus with the power to transport the world’s violent alien factions to their new chosen dominion: Earth. But there, the hapless and depressive human author Dr. Stanley Ivan Vanderbilt believes that Halteres is just the product of his imagination. Ten years ago, he was unknowingly seeded by the Arca Trochia’s spores, and he wrote about Halteres’ inhabitants as a means to escape from his unfulfilling life. Now, he’s fallen under their influence again, and this time, they’ve compelled him to attach bionic opposable thumbs to his pet cats. Things spiral further out of control when the thumbs trigger an evolutionary leap, granting the cats sentience, psychic abilities, and miraculous biological advancements—but a tenuous grasp of morality, at best. Before long, Vanderbilt is at the mercy of his superpowered predator pets, and he’s also become a target for intergalactic assassins who can hijack human corpses. Injured, out of options, and desperate for a greater purpose, Vanderbilt flees blindly into the heart of the American Southwest. Along for the ride are Ashleigh,a mysterious and deadly vigilante with a souped-up car and a destination that she’s not planning to reveal anytime soon; Vanderbilt’s drug-addled best friend, Xeno; and his capricious feline companion, Patton. Along the way, the humans consume huge amounts of booze and drugs, visit the seedy underbellies of multiple places, find unlikely allies, and leave a gory path of destruction involving earthlings and aliens alike.
The novel employs an odd mix of campy grotesquerie, self-referential gag humor, and convoluted SF concepts, which makes it alternately intriguing and incoherent. Some readers may enjoy its irreverent, absurdist embrace of ultraviolent power fantasies, its hypersexual women who glory in their own objectification, and its grungy, sprawling fictional world, splattered with bodily fluids. Others, however, will find these same aspects rather off-putting, and they’ll feel that certain characters come off as offensive stereotypes. For the most part, Hammond is at his best in moments of stillness, when he allows his players to stop all the quipping and actually explore their connections to the world and one another. The author’s descriptions can be genuinely lovely, as when they address the American landscape, the feeling of being in a car headed nowhere, and the unbearable hugeness of the world in general. However, the novel feels torn between so many premises that none of them feel adequately explained. Several references are made to past events that aren’t elaborated upon, and the author introduces and discards a large number of secondary characters without ever fully fleshing them out. It’s not the most cohesive piece of science fiction, overall, but it is certainly never boring, and fans of its particular style will likely find themselves entertained by its hedonism and gruesome revelry.
An ambitious interplanetary tale that’s hampered by haphazard execution.Pub Date: May 17, 2020
ISBN: 978-1-73398-717-2
Page Count: 396
Publisher: Self
Review Posted Online: June 3, 2020
Review Program: Kirkus Indie
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.
The first installment of Liu’s Julia Z saga is an SF thriller set in a near-future “post-truth age” where the use of AI and the inundation of digital disinformation and data pollution have blurred the lines between delusion and reality.
Julia—whose immigrant mother, a divisive political activist, was murdered during a border protest—has lived on her own since she was 14. A brilliant hacker now 23, she’s been trying to live in online anonymity, acutely aware of the multitude of ways she can be identified and tracked. Living in a Boston suburb and struggling to make ends meet, she inadvertently becomes entangled with a lawyer named Piers Neri and his search for his artist wife, Elli Krantz—famous for her experimental work in vivid dreaming—who may or may not have been kidnapped. A prime suspect in his wife’s disappearance, Piers goes on the run with the help of Julia—and together, they begin putting together pieces of a mind-bogglingly intricate puzzle that links Elli to a powerful criminal with a global reach. As Julia digs deeper into the appeal of vivid dreaming and the criminal’s ruthless endeavors, she discovers the sham that is the American Dream: “America was corrupt and steeped in sin. The powerful had rigged the game for themselves and turned the country into a panopticon to imprison the rest of us. Anytime one of the powerless—it didn’t matter the color of your skin, the language you spoke, the place you were born in—was on the verge of climbing out, they would be ruthlessly tossed back into the pit.” And amid the backdrop of dealing with unresolved childhood trauma and the need to find her place in the world, she finds something unexpected—herself.
Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.Pub Date: Oct. 14, 2025
ISBN: 9781668083178
Page Count: 416
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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