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OPPOSABLE

From the The Halteres Chronicles series , Vol. 1

An ambitious interplanetary tale that’s hampered by haphazard execution.

Aliens, mercenaries, and hyperevolved house cats collide in a drug-fueled, blood-soaked road quest to save the world in Hammond’s SF novel.

Away in the far reaches of space, the planet Halteres is home to the Arca Trochia, an omniscient fungus with the power to transport the world’s violent alien factions to their new chosen dominion: Earth. But there, the hapless and depressive human author Dr. Stanley Ivan Vanderbilt believes that Halteres is just the product of his imagination. Ten years ago, he was unknowingly seeded by the Arca Trochia’s spores, and he wrote about Halteres’ inhabitants as a means to escape from his unfulfilling life. Now, he’s fallen under their influence again, and this time, they’ve compelled him to attach bionic opposable thumbs to his pet cats. Things spiral further out of control when the thumbs trigger an evolutionary leap, granting the cats sentience, psychic abilities, and miraculous biological advancements—but a tenuous grasp of morality, at best. Before long, Vanderbilt is at the mercy of his superpowered predator pets, and he’s also become a target for intergalactic assassins who can hijack human corpses. Injured, out of options, and desperate for a greater purpose, Vanderbilt flees blindly into the heart of the American Southwest. Along for the ride are Ashleigh,a mysterious and deadly vigilante with a souped-up car and a destination that she’s not planning to reveal anytime soon; Vanderbilt’s drug-addled best friend, Xeno; and his capricious feline companion, Patton. Along the way, the humans consume huge amounts of booze and drugs, visit the seedy underbellies of multiple places, find unlikely allies, and leave a gory path of destruction involving earthlings and aliens alike.

The novel employs an odd mix of campy grotesquerie, self-referential gag humor, and convoluted SF concepts, which makes it alternately intriguing and incoherent. Some readers may enjoy its irreverent, absurdist embrace of ultraviolent power fantasies, its hypersexual women who glory in their own objectification, and its grungy, sprawling fictional world, splattered with bodily fluids. Others, however, will find these same aspects rather off-putting, and they’ll feel that certain characters come off as offensive stereotypes. For the most part, Hammond is at his best in moments of stillness, when he allows his players to stop all the quipping and actually explore their connections to the world and one another. The author’s descriptions can be genuinely lovely, as when they address the American landscape, the feeling of being in a car headed nowhere, and the unbearable hugeness of the world in general. However, the novel feels torn between so many premises that none of them feel adequately explained. Several references are made to past events that aren’t elaborated upon, and the author introduces and discards a large number of secondary characters without ever fully fleshing them out. It’s not the most cohesive piece of science fiction, overall, but it is certainly never boring, and fans of its particular style will likely find themselves entertained by its hedonism and gruesome revelry.

An ambitious interplanetary tale that’s hampered by haphazard execution.

Pub Date: May 17, 2020

ISBN: 978-1-73398-717-2

Page Count: 396

Publisher: Self

Review Posted Online: June 3, 2020

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GIDEON THE NINTH

From the Locked Tomb Trilogy series , Vol. 1

Suspenseful and snarky with surprising emotional depths.

This debut novel, the first of a projected trilogy, blends science fiction, fantasy, gothic chiller, and classic house-party mystery.

Gideon Nav, a foundling of mysterious antecedents, was not so much adopted as indentured by the Ninth House, a nearly extinct noble necromantic house. Trained to fight, she wants nothing more than to leave the place where everyone despises her and join the Cohort, the imperial military. But after her most recent escape attempt fails, she finally gets the opportunity to depart the planet. The heir and secret ruler of the Ninth House, the ruthless and prodigiously talented bone adept Harrowhark Nonagesimus, chooses Gideon to serve her as cavalier primary, a sworn bodyguard and aide de camp, when the undying Emperor summons Harrow to compete for a position as a Lyctor, an elite, near-immortal adviser. The decaying Canaan House on the planet of the absent Emperor holds dark secrets and deadly puzzles as well as a cheerfully enigmatic priest who provides only scant details about the nature of the competition...and at least one person dedicated to brutally slaughtering the competitors. Unsure of how to mix with the necromancers and cavaliers from the other Houses, Gideon must decide whom among them she can trust—and her doubts include her own necromancer, Harrow, whom she’s loathed since childhood. This intriguing genre stew works surprisingly well. The limited locations and narrow focus mean that the author doesn’t really have to explain how people not directly attached to a necromantic House or the military actually conduct daily life in the Empire; hopefully future installments will open up the author’s creative universe a bit more. The most interesting aspect of the novel turns out to be the prickly but intimate relationship between Gideon and Harrow, bound together by what appears at first to be simple hatred. But the challenges of Canaan House expose other layers, beginning with a peculiar but compelling mutual loyalty and continuing on to other, more complex feelings, ties, and shared fraught experiences.

Suspenseful and snarky with surprising emotional depths.

Pub Date: Sept. 10, 2019

ISBN: 978-1-250-31319-5

Page Count: 448

Publisher: Tor

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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CRITICAL MASS

An ambitious but plodding space odyssey.

Having survived a disastrous deep space mission in 2038, three asteroid miners plan a return to their abandoned ship to save two colleagues who were left behind.

Though bankrolled through a crooked money laundering scheme, their original project promised to put in place a program to reduce the CO2 levels on Earth, ease global warming, and pave the way for the future. The rescue mission, itself unsanctioned, doesn't have a much better chance of succeeding. All manner of technical mishaps, unplanned-for dangers, and cutthroat competition for the precious resources from the asteroid await the three miners. One of them has cancer. The international community opposes the mission, with China, Russia, and the United States sending questionable "observers" to the new space station that gets built north of the moon for the expedition. And then there is Space Titan Jack Macy, a rogue billionaire threatening to grab the riches. (As one character says, "It's a free universe.") Suarez's basic story is a good one, with tense moments, cool robot surrogates, and virtual reality visions. But too much of the novel consists of long, sometimes bloated stretches of technical description, discussions of newfangled financing for "off-world" projects, and at least one unneeded backstory. So little actually happens that fixing the station's faulty plumbing becomes a significant plot point. For those who want to know everything about "silicon photovoltaics" and "orthostatic intolerance," Suarez's latest SF saga will be right up their alley. But for those itching for less talk and more action, the book's many pages of setup become wearing.

An ambitious but plodding space odyssey.

Pub Date: Jan. 24, 2023

ISBN: 978-0-593-18363-2

Page Count: 464

Publisher: Dutton

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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