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PARIS, BABY!

A MEMOIR

Self-indulgent and frankly de trop.

The relentlessly egoistical account of an American expat’s attempts at solo child-rearing in Paris.

Fashion designer Lobe (Paris Hangover, 2006) was 39 and living footloose in the “staggeringly magical” City of Lights when she suddenly became pregnant by a British divorcé. In pretentious, French-laced prose that irritates more than it charms, the author chronicles the changes she experienced, both inside and out, as she made her way into unexpected single motherhood. Her whirlwind relationship with “Mister Brit-o-Honey” ended after she announced her intent to keep their child. But her joy at finally being able to end the battle “to keep reed thin under the pressure of the discerning-to-the-point-of-ruthless mass of Parisians” knew no bounds. Yet the city of her dreams proved to be more hostile to her efforts to create a single-parent family than she ever expected. As splendid as Paris was, it also proved a horrifically expensive place to maintain the large, child-friendly home she envisioned for herself and her son. And no matter where she turned, it seemed as though everyone, from her pediatrician to the clerks at the stylish baby boutique she frequented, scornfully looked down upon her for daring to be a mother on her own. Most brutal of all were the judgments that people—including close friends—made regarding her choice to sleep with and breast-feed her infant. Eventually, Lobe decided to return to her hometown in Wisconsin to raise the son that had become the center of an increasingly myopic world. After eight years of living in France, she had become too Europeanized to reintegrate into Midwestern culture and too American to cope with French concepts of family. Most of Lobe’s Parisian adventures end midway in the book. From that point on, the narrative loses cohesion and becomes a never-ending series of lists that cover such topics as “new mom issues” and the pros and cons of staying stateside or going back to France. Relationships with the family she so effusively celebrates in the final pages become obscured into irrelevance.

Self-indulgent and frankly de trop.

Pub Date: May 24, 2011

ISBN: 978-0-312-60532-2

Page Count: 352

Publisher: St. Martin's Griffin

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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