A fascinating portrait of a complex figure who ponders the place of man and God in the universe and who still loves the...
Ferguson (Pythagoras, 2010, etc.) brilliantly updates her 1991 children's biography of Stephen Hawking for an adult audience.
Hawking's work on black holes and the origins of the universe guarantees him a place in the scientific pantheon, but his ability to pursue scientific work despite the ravages of ALS (Lou Gehrig's disease) have earned him superstar status. Diagnosed in 1962 with a prognosis that he would be dead within two years, he refused to be daunted. He continued his studies, married and fathered three children and made major contributions to our understanding of the universe, all while struggling to maintain his ability to function despite increasing muscular atrophy that prevented his use of his hands, confined him to a wheel chair and ultimately robbed him of his ability to speak. In 1979, he was appointed Lucasian Professor at Cambridge, the chair once held by Isaac Newton. Now almost 70 and only able to communicate through a computer, he still maintains a busy lecture schedule. His latest book, The Grand Design (co-authored by Leonard Mlodinow), was published in 2010. Ferguson has relied on Hawking for guidance on scientific topics and on a memoir written by his ex-wife for details of life during their 25-year marriage. Her ability to write clearly about scientific issues using metaphor rather than mathematics makes this an excellent introduction to astrophysics for the interested layman.
A fascinating portrait of a complex figure who ponders the place of man and God in the universe and who still loves the “Eureka moment of discovering something that no one knew before.”Pub Date: Jan. 3, 2012
ISBN: 978-0-230-34060-2
Page Count: 320
Publisher: Palgrave Macmillan
Review Posted Online: Nov. 12, 2011
Kirkus Reviews Issue: Dec. 1, 2011
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Graceful and deeply felt.
A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.
The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.
Graceful and deeply felt.Pub Date: May 8, 2006
ISBN: 0-15-101350-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
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