by Klaus Hagerup & translated by Tara Chace ‧ RELEASE DATE: April 1, 2009
In this entertaining Norwegian import and follow-up to Markus and Diana (2006), the short, anxious and potentially obsessive-compulsive Markus Simonsen, 13, finds himself only two months into his first year of junior high and in love for the 15th time. Unable to find the gumption to act on his feelings, the teen once again relies on his overconfident sidekick, Sigmund. His best friend’s help always turns to hijinks, however, especially when he proposes a staging of Romeo and Juliet to win over Markus’s latest object of desire. Adding to the merriment are Markus’s widower father, who has similar love-interest problems, and a father-son relationship that is both droll and tender. Although Sigmund’s last effort is dragged out too long, the Shakespearean backdrop and comedic banter and timing reveal Hagerup’s dramatist background. While the foreign titles and authors mentioned will be unfamiliar to most readers, Chace’s otherwise seamless translation aptly conveys the typical angst of young teenage boys and leaves readers cheering for Markus and the next girl of his dreams. (Fiction. 11-14)
Pub Date: April 1, 2009
ISBN: 978-1-59078-520-1
Page Count: 208
Publisher: Front Street/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
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BOOK REVIEW
by Klaus Hagerup & translated by Tara Chase
by John Boyne ‧ RELEASE DATE: Sept. 12, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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by John Boyne
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by John Boyne
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SEEN & HEARD
SEEN & HEARD
by Gary Paulsen ‧ RELEASE DATE: June 1, 1991
A sequel to the most popular of Paulsen's three Newbery Honor books (Hatchet, 1987), based on an unlikely premise— government researchers want Brian to reenact his northwoods survival so that his strategies can be observed and taught to others. Derek, a young psychologist, and Brian are dropped off at another Canadian lake, near the first one, equipped only with knives and a radio that Derek has promised not to use except in a dire emergency. Everything goes all too smoothly until their camp is struck by lightning, zapping the radio and leaving Derek in a coma. Brian manages to float Derek 100 miles down a river to a trading post, thus saving his life. The lyrically described details of Brian's adventure— building a fire, making a raft—are of most interest here; for all its graphically evoked perils (rapids, the craft's unwieldiness, exhaustion), the journey's successful outcome seems less in doubt than did the outcome of the compelling autobiographical wilderness experiences described in Woodsong (1990). In Hatchet, Brian discovered his own strength, adding depth, complexity, and tension to the story; here, that strength is a given—as he himself points out. Perfunctory in design but vividly written, a book that will, as intended, please the readers who hoped that Paulsen, like Brian, would "do it again." (Fiction. 11-14)
Pub Date: June 1, 1991
ISBN: 0-385-30388-2
Page Count: 133
Publisher: Delacorte
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 1991
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by Gary Paulsen
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by Gary Paulsen
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