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WOLF

A NOVEL OF LOVE AND BETRAYAL

An ambitious, sometimes-illuminating tale set against political unrest in Burma.

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A literary novel tells the story of a Burmese revolutionary trying to escape his enemies.

Burma, 1988. Famous student revolutionary Mothi Awegoke is on the run from intelligence agents for his role in the demonstrations against the country’s military junta. As he flees through the streets of Rangoon, he is almost run over by a white Mercedes, but the young woman inside it recognizes him and offers him a ride. After concealing him for a few days, the woman, Thuzar, arranges for Mothi to be smuggled out of the city on a ship. When he asks how he will find Thuzar again, once things settle down, she tells him it will be she who locates him: “You always think you can blend in with the crowd and you are so inconspicuous. But you blend in about as well as a true pigeon blood ruby in the mud. You positively glow. You’ll never sink in muck. Of that I am certain. You’ll always be famous and not difficult to find. You’ll see.” Her words prove prophetic, as Mothi’s fight to bring democracy to Burma takes him across the country into Thailand and, eventually, America. As he travels, seeing the lives of the people who help him along the way, he remembers the events of his youth that spurred him to political activism. Kaung’s (The Rohingya Genocide in Burma, 2017, etc.) prose is highly detailed, capturing life under Communist rule in startling images: “Inn Inn’s high-heeled slippers fell apart when it rained because they were reinforced with cardboard. She had bought three pairs because she thought it was a good price and she might not see them again. When the first pair dissolved, she wore the other slippers only during the dry season.” Mothi is a flawed, sometimes-infuriating character, and the story is likewise idiosyncratic in its structure and pacing. But the work is wonderfully specific, and its blend of history, politics, and episodes feels organic and somehow appropriate. It’s a novel that works through accumulation—it’s nearly 500 pages—but at the end of it, readers will feel they have an intimate understanding of this character and his country.

An ambitious, sometimes-illuminating tale set against political unrest in Burma.

Pub Date: Feb. 10, 2019

ISBN: 978-1-4792-0388-8

Page Count: 484

Publisher: CreateSpace

Review Posted Online: Aug. 6, 2019

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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