There’s little that dedicated Kobe fans don’t already know, but the book is a visually beautiful presentation that would...
The future NBA Hall of Famer explores his process and craft.
Love him or hate him—there seems to be little sentiment in between—former Los Angeles Lakers star Bryant is one of the greatest basketball players of all time. He was always known for his laser-sharp focus, exacting preparation, diligent attention to details, and extreme competitiveness, and all of those qualities are on display in this photo-heavy look back on his career. The key word is “career,” as the author provides almost no biographical detail unrelated to basketball—which is probably appropriate given that he has displayed little interest in anything beyond the game. Conveyed via short, no-nonsense snippets and accompanying photos on nearly every page, the narrative, such as it is, reflects Bryant’s commitment to the game. From training to practice to recovery to mental preparation to highly technical descriptions of his mechanics—and those of his opponents—he delves into it all. The book will appeal to die-hard basketball fans intrigued by one of the game’s brightest minds, but the structure is somewhat haphazard and may lose general readers. The real stars here are the stunning photographs (at least one on every page, with many double-page spreads), all taken by Andrew D. Bernstein, the longtime Lakers official photographer. Each photo effectively demonstrates what Bryant is discussing, and some feature hand-drawn embellishments by the author, showing the angle and direction of a pass or cut or some other element of a particular play. Bryant also delivers capsule assessments of many of his teammates, opponents, and coaches over the years: “Pau [Gasol] was my favorite teammate ever”; “Phil Jackson was more than just a coach—he was a visionary”; “Tex Winter was a basketball genius”; “Jerry West and I had a father-son type of relationship”; Lamar Odom “was the cool-ass uncle who took care of everybody and always came through in the clutch.”
There’s little that dedicated Kobe fans don’t already know, but the book is a visually beautiful presentation that would make an ideal gift for the Lakers fan in the house.Pub Date: Oct. 23, 2018
ISBN: 978-0-374-20123-4
Page Count: 208
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Aug. 12, 2018
Kirkus Reviews Issue: Sept. 1, 2018
SEEN & HEARD
SEEN & HEARD
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
A vivid sequel that strains credulity.
Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.
At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.
A vivid sequel that strains credulity.Pub Date: Feb. 11, 2020
ISBN: 978-1-982113-60-5
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 20, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
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