With subtle echoes of a samurai classic, Abe’s autobiographical novel is a memorable portrait of statelessness, exile, and...

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BEASTS HEAD FOR HOME

You can’t go home again—especially when you don’t know where home is.

In a scenario reminiscent of European contemporaries Wolfdietrich Schnurre and Friedrich Dürrenmatt, eminent Japanese novelist Abe (1924-93) imagines a liminal and forlorn compatriot who has grown up somewhere in Manchuria, the child of colonists who now, as Japan’s Asian empire crumbles into dust at the end of World War II, must somehow find his way to a homeland that is alien to him. As this slim novel, originally published in 1957, opens, Kuki Kyuzo, still a teenager but now without parents, is in the hands of not unfriendly Soviet occupiers in a kind of no-man’s land between Siberia, Mongolia, and China. He tucks away matches, a little food, a bottle of vodka to make good an escape. But from what, and to what? The months pass, with one Soviet emerging as a gruff guardian angel, though he refuses to let Kyuzo leave for Japan: “Outside there are fascists with bared teeth roaming about.” When China breaks out in civil war, the Soviets finally withdraw, and Kyuzo crosses into another frontier, now in the company of a multilingual “communications agent” of mixed ethnicity and shadowy background who declares himself “more like a newspaper reporter” than the spy Kyuzo figures him for. His new companion seems a godsend in some tough scrapes, but his motives are as murky as his identity. Though fearful that he’ll wind up like one of the unfortunate soldiers of whatever side whose insignia eventually come forth from “the bellies of wolves,” Kyuzo eventually finds his way onto a refugee ship out of B. Traven—but even so the wolves are still at his heels, so to speak, as if to suggest that the war and its torments will never end and the uprooted will never find a homeland after all.

With subtle echoes of a samurai classic, Abe’s autobiographical novel is a memorable portrait of statelessness, exile, and wandering.

Pub Date: May 23, 2017

ISBN: 978-0-231-17704-7

Page Count: 208

Publisher: Columbia Univ.

Review Posted Online: March 27, 2017

Kirkus Reviews Issue: April 1, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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