A delicately rendered homage to Native American storytelling.
Belleli (Contes de la Lune, 2005, etc.) tells the story of a continent-crossing hero in this mythology-infused children’s novel.
Tali Nohkati is the child of the first man and first woman, watched over by Moon and Coyote, the two primordial beings who created the world. After a great fire kills Tali Nohkati’s parents and renders the land barren and dead, the Moon and Coyote are forced to send the boy on a journey to find a new home in the lands beyond the horizon. He first goes to the White Land of ice and snow, where the polar bear Yupik teaches him to hunt. When winter comes, he builds a boat and follows the whale Atii south to warmer climes. Along the way, Atii helps him fish, and when a storm destroys his skiff, the whale allows him to ride in her throat. After further adventures in forests, plains, and deserts among wolves, bison, and snakes, respectively, Tali Nohkati finally reaches the Land of the Red Earth, where he finds his fellow men. Rakenika, a man who wears an eagle feather in his hair, adopts the boy into his tribe and teaches him the ways of the Great Hunt. The world of men is even more complex than that of animals, however, and Tali Nohkati will have to weather a host of dangers—both human and superhuman—before he’ll find peace. Belleli, as translated from the French by debut translator Heller, tells the story in the simple but often lyrical prose style of a folktale, as in this passage, in which injured bison Atsina entreats the boy to make use of his body: “ ‘But who talks of leaving me?’ the bison said reassuringly, in a last effort. ‘You will take me with you. You will eat my meat, and I will give you my strength. You will tan my skin, and I will shelter your nights.’ ” The novel appears to borrow bits of mythology from across the Americas, from the Eskimo-Aleut names of the polar bears to an appearance by the monstrous Huracan of the ancient Mayans. Often allegorical and always magical, the book manages to feel simultaneously ancient and contemporary.
A delicately rendered homage to Native American storytelling.Pub Date: May 9, 2019
ISBN: 978-1-68433-258-8
Page Count: 144
Publisher: Black Rose Writing
Review Posted Online: May 3, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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