An uplifting tale about family, second chances, and the complexity of making fine Texas wine.
After the death of her husband, a young woman moves back to her hometown to build a new life for herself and her children in this novel.
Lark Mead has just lost her husband to Lou Gehrig’s disease and is faced with the daunting task of raising their two sons on her own. When a real estate broker comes calling soon after her husband’s death, Lark is offended. But after learning how much the house is worth, she decides that a return to her hometown may just be the fresh start her family needs. When she arrives back in Fredericksburg, Texas, she finds a newly renovated, not-so-child-friendly house and grandparents that are very busy with lives of their own. Lark begins searching for employment, but there aren’t many jobs for attorneys in town, and she’s not that interested in the law anyway. Instead, she decides to pursue a career in winemaking, a dream she had long ago given up. As Lark reconnects with old friends and attempts to navigate single motherhood, she meets a handsome, young Army veteran named Wyatt Gifford. As Lark and Wyatt get to know each other, she learns he has emotional baggage of his own, and she begins to doubt their compatibility. As the story progresses, Lark wonders whether she will ever figure out how to find a promising future. Told primarily from Lark’s point of view, the narrative shifts periodically to Wyatt’s perspective, providing readers a useful second lens through which to view events. Full of humorous moments about the pitfalls of parenting, including kids who say inappropriate things at the worst times and catty parent volunteers who attempt to commandeer school events, this plot-focused tale also explores deeper issues like grief, PTSD, and self-sufficiency. Although Clink’s series opener gets off to a slow start, introducing too many subplots and supporting characters before focusing on the main action, individual scenes are well crafted throughout, and relationships consistently come across as authentic. A few surprises toward the story’s end make it a worthwhile read.
An uplifting tale about family, second chances, and the complexity of making fine Texas wine.Pub Date: April 6, 2021
ISBN: 978-1-68463-073-8
Page Count: 376
Publisher: SparkPress
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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