Waldherr writes that “love stories are ghost stories in disguise.” This one, happily, succeeds as both.
A daguerreotypist in mourning, hired to transport a cousin’s corpse for an unusual interment, finds himself the reluctant chronicler of a tragic family story in Waldherr’s debut novel.
London, 1850: Following the sudden death of his wife, Robert Highstead has floated grimly between the lands of the living and dead, photographing corpses to earn money and craving visits from her ghost. When distant cousin and well-known poet Hugh de Bonne dies, Robert is given the task of escorting his body back to his estate and interring him beside his wife, Ada, in the glass chapel, a structure Hugh built after her death. Ada’s niece, Isabelle, has lived in the house alone in the years since Ada’s death; she blames Hugh for the tragedy and refuses to allow Robert to fulfill his cousin's wishes. But when Robert is injured and stranded at Weald House, Isabelle decides to tell him Ada’s story, asking him to write it down and publish it. It’s a peculiar and striking tale of love, illness, and loss; Robert wonders, though, how Isabelle could possibly know all these personal details. And why isn’t she featured in the story at all? There is a Scheherazade-like structure to Isabelle’s tale, and the haunting beauty of the love story makes Ada and Hugh come alive as characters. As in many gothic stories, the moldering old house that represents family tragedy is a fitting, creepy backdrop to the mysteries of the past. Waldherr avoids cliché in her rich descriptions and hints of supernatural presence that never cross into melodrama. Additionally, while most gothic tales offer only darkness and tragedy, a surprising amount of light and joy imbues the ending here. Fitting, perhaps, for a novel that uses stained glass as a symbol for heavenly possibility, even in the face of death.
Waldherr writes that “love stories are ghost stories in disguise.” This one, happily, succeeds as both.Pub Date: April 9, 2019
ISBN: 978-1-9821-0101-5
Page Count: 320
Publisher: Atria
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
A love letter to the power of books and friendship.
Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: Aug. 1, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
None of the characters shine enough to inspire or enlighten readers.
A tale of several generations of women cursed to love men who love other women.
As the book opens, Gabriela Siton relates the story of her mother Luna’s death, and in describing her final year, Yishai-Levi, a journalist and nonfiction author, captures the family dynamic and lays out the drama—Luna doesn’t get along with Gabriela; she’s unhappy with her husband, David; she didn’t get along with her mother, Rosa; and all this has left Gabriela at loose ends. Gabriela seeks answers from her Aunt Allegra in Tel Aviv, trying to understand the family “curse,” and then the book shifts mostly to Rosa’s and Luna’s viewpoints. It abruptly shifts back in the end to Gabriela’s, skipping over years, when earlier, the narrative plodded slowly through days. There are so many characters that we only get a brief look at some of them, and so many disappointments and heartbreaks that they begin to lose their impact. Ordinary lives can be made beautiful, but when they belong to characters who are either unsympathetic or rudimentary, they are rendered ineffective. The characters’ faith, which influences so many of the important decisions in their lives, mostly comes across as routine, habit, or even superstition. Some of the characters become involved in the struggle for modern Israel, and their political fervor is similarly underdeveloped.
None of the characters shine enough to inspire or enlighten readers.Pub Date: April 5, 2016
ISBN: 978-1-250-07816-2
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
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