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RABINDRANATH TAGORE

THE MYRIAD-MINDED MAN

A beautifully written life of India's once-famous Nobel laureate who is now largely unknown to Western readers. In the first half of the 20th century, Rabindranath Tagore (18611941) was widely known in the West as a mediator between Eastern and Western culture. His poems, plays, paintings, and music remain enormously influential in India, especially in Bengal. Dutta, a Calcutta-born teacher now living in England, and Robinson, literary editor of the Times Higher Education Supplement, assume that Western readers need a complete reintroduction to Tagore. The result is a leisurely, life-and-times biography written from a detached, objective point of view and full of useful explanatory detail. Dutta and Robinson balance the cultural, political, family, and religious influences on Tagore without settling on any one as predominant. Because Tagore participated in so many aspects of Indian politics and literary culture, and knew so many key figures not only in India but in the West, his biography serves as an introduction to basic features of modern Indian history and culture. Although usually deferential to his point of view, the authors are also sensitive to Tagore's contradictions. A beneficiary of British rule, he agonized over the plight of peasants on his family estates but never questioned the legitimacy of private ownership. He supported British rule until the national movement made it unfashionable. After embracing nationalism, he distanced himself, not only from violent extremists, but from political mainstreamers such as Gandhi. The book becomes livelier when the authors lose patience with Tagore, particularly over his hypocrisy in advocating rights for women that he never extended to the women of his own family. As many-sided as Tagore himself, this biography will introduce readers not only to one of the giants of 20th-century literature, but also to the encounter between European and South Asian culture under colonial rule. (48 pages photos)

Pub Date: Dec. 4, 1995

ISBN: 0-312-14030-4

Page Count: 512

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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