The faithful may enjoy it.
This simplistic dystopia delivers formulaic romance and a large dose of religious faith.
In the second installment of the Anomaly Trilogy, naïve musician Thalli and her friends, newly escaped from the evil Scientists and the underground State (Anomaly, 2003), arrive at New Hope, a small agricultural community that survived the Nuclear War 40 years ago. But alas, New Hope finds itself constantly threatened by Athens, a whole city that survived the War largely by developing never-described, constantly mentioned “pharmaceuticals.” Thalli goes to Athens to convince evil King Jason not to attack and meets his son, Alex, who seems like a nice guy. Sadly, Alex turns on a dime into a threatening character. Thalli feels certain that she can escape if she relies on the Designer (apparently the future name for God). McGee appears to have two goals here: to write an entertaining dystopian novel and to promote religious faith. She mostly meets her first goal, although frequent sudden storyline reversals, such as Alex’s transformation, can cause whiplash. She relies, clearly intentionally, on frequent deus ex machina plot turns to promote the second goal. The roughly third-grade-level prose, dialogue that mostly avoids contractions, avoidance of necessary description and cardboard-cutout characterizations seem to pitch the book toward an expected audience of poor readers.
The faithful may enjoy it. (Dystopian romance. 10-14)Pub Date: Jan. 7, 2014
ISBN: 978-1-4016-8874-5
Page Count: 320
Publisher: Thomas Nelson
Review Posted Online: Nov. 30, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s...
A straight-up Marvel Comics–style action drama featuring a small band of human assassins taking on costumed, superpowered supervillains with melodramatic monikers.
It’s certainly a tried-and-true formula. Twelve years ago, a mysterious Calamity began turning random ordinary humans into evil Epics gifted with various combinations of superpowers (and also, always, some Achilles heel). Now, 18-year-old David Charleston manages at last to make contact with a cell of Epic-killing Reckoners led by legendary mastermind Jon Phaedrus. Then it’s on to a nonstop thrill ride that begins with the killing of David’s father 10 years before and roars through car and motorcycle chases, secret missions, huge explosions and hails of gunfire with high-tech weaponry to a climactic battle with Epic Steelheart. He’s bulletproof, shoots energy balls, has transformed the entire Chicago area into solid steel with a wave of his hand and wears a stylish silver cape. Shockingly, the book closes with the stunning revelation than not all Epics are evil through and through. As further sign that Sanderson (Rithmatist, 2013, etc.) isn’t taking any of this too seriously, the cast of Epics includes not only the likes of Steelheart, Faultline and Deathpoint, but Pink Pinkness and El Brass Bullish Dude, and some of their powers are equally silly. Stay tuned for sequels.
There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s missing are the pictures. (Fantasy. 11-14)Pub Date: Sept. 24, 2013
ISBN: 978-0-385-74356-3
Page Count: 400
Publisher: Delacorte
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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