A pastiche of reminiscences and newspaper clippings that tries to set the record straight and certainly suggests that, as...
The real Margaret (she was never called Molly) Brown revealed in a biography long on both dramatic reconstructions of the Titanic disaster and mundane family scrapbooks.
As Iversen, an editor at Westcliffe Publishers, has it, Margaret (she was sometimes called Maggie) Brown was never the high-kicking vulgarian with a heart of gold portrayed by Debbie Reynolds in The Unsinkable Molly Brown or even the flamboyant dowager queen of the West (with a heart of gold) portrayed by Kathy Bates in the film Titanic. She was educated, culturally aware, multilingual, and comfortable in Paris, Newport, New York, Denver, and Leadville, Colo., society. She did have a heart of gold, and it was often dedicated to such sophisticated activities as organizing successful fund-raising events for building Denver’s Roman Catholic cathedral, adding a wing to a Denver hospital, aiding families of miners left destitute by disaster, and, with her friend “Kids Judge” Benjamin Lindsey, organizing and subsidizing programs for indigent children. Her courage and organizational abilities were evident in the Titanic disaster, when she not only helped row Lifeboat #6 to safety but also went on to raise money and social support for the surviving immigrants, who had lost everything when the ship went down. Margaret was also a feminist, putting herself forth as a candidate for Congress. Her marriage to miner J.J. Brown had collapsed by then, due probably to both his womanizing and her activism. Margaret and her two children vied in court over J.J.’s will but eventually reconciled. Before she died in 1932 at age 65, Margaret was awarded the French Legion of Honor for her work in France during WWI.
A pastiche of reminiscences and newspaper clippings that tries to set the record straight and certainly suggests that, as important as the myth of the golden-hearted Western girl may be, the real Margaret was far more interesting than the cinematic versions. (b&w photos, not seen)Pub Date: July 5, 1999
ISBN: 1-55566-236-6
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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