by Kristen Iversen ‧ RELEASE DATE: July 5, 1999
A pastiche of reminiscences and newspaper clippings that tries to set the record straight and certainly suggests that, as...
The real Margaret (she was never called Molly) Brown revealed in a biography long on both dramatic reconstructions of the Titanic disaster and mundane family scrapbooks.
As Iversen, an editor at Westcliffe Publishers, has it, Margaret (she was sometimes called Maggie) Brown was never the high-kicking vulgarian with a heart of gold portrayed by Debbie Reynolds in The Unsinkable Molly Brown or even the flamboyant dowager queen of the West (with a heart of gold) portrayed by Kathy Bates in the film Titanic. She was educated, culturally aware, multilingual, and comfortable in Paris, Newport, New York, Denver, and Leadville, Colo., society. She did have a heart of gold, and it was often dedicated to such sophisticated activities as organizing successful fund-raising events for building Denver’s Roman Catholic cathedral, adding a wing to a Denver hospital, aiding families of miners left destitute by disaster, and, with her friend “Kids Judge” Benjamin Lindsey, organizing and subsidizing programs for indigent children. Her courage and organizational abilities were evident in the Titanic disaster, when she not only helped row Lifeboat #6 to safety but also went on to raise money and social support for the surviving immigrants, who had lost everything when the ship went down. Margaret was also a feminist, putting herself forth as a candidate for Congress. Her marriage to miner J.J. Brown had collapsed by then, due probably to both his womanizing and her activism. Margaret and her two children vied in court over J.J.’s will but eventually reconciled. Before she died in 1932 at age 65, Margaret was awarded the French Legion of Honor for her work in France during WWI.
A pastiche of reminiscences and newspaper clippings that tries to set the record straight and certainly suggests that, as important as the myth of the golden-hearted Western girl may be, the real Margaret was far more interesting than the cinematic versions. (b&w photos, not seen)Pub Date: July 5, 1999
ISBN: 1-55566-236-6
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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