by Kristin Battista-Frazee ‧ RELEASE DATE: Oct. 2, 2014
Barely serviceable. Readers will learn a bit about the porn business of the pre-Internet age, but they might as well be...
A plodding memoir of life in 1970s smutland.
What do you do when your father decides to ditch a successful career in investment banking to go into the pornography business, cutting his teeth on the likes of Linda Lovelace? Well, if you’re a kid, you go out and play in the street, eat saltwater taffy at the beach, commune with family and only much later learn about the sordidness of the whole business, courtesy of a helpfully judgmental elder. Battista-Frazee’s father emerges from these pages as a fellow who, like so many of us, is always game to chase after the ever elusive dollar, his ethical sense always situationally located; he also comes off as a bit foolish when it came to his business, wondering why he lost his license in Philadelphia over an obscenity charge in Tennessee, puzzled about why he should have to obtain a liquor license in order to sell booze at the strip club into which he diversified. What’s clear from the outset is that he wasn't a First Amendment champion in the way of Larry Flynt or someone with a desire to shock the bourgeoisie along the lines of Al Goldstein, but instead an unimaginative fellow out to make money. His daughter’s account is similarly unimaginative: If the pornographer in question comes off as a touch hapless, the mother as the definition of long-suffering and the players a collection of Italian-American stereotypes—“I sat at the table complaining about how I didn’t want to eat. (I was an Italian mother’s worst nightmare”)—then the memoirist herself reads as merely ordinary.
Barely serviceable. Readers will learn a bit about the porn business of the pre-Internet age, but they might as well be reading about farm equipment or lumber.Pub Date: Oct. 2, 2014
ISBN: 978-1-62914-434-4
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Sept. 8, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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