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MY SON, THE PRIEST

A MOTHER’S CRISIS OF FAITH

An exploration of faith, doubt, and family that expertly balances tender recollection with sharp insight.

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Gilger’s memoir follows a mother’s struggle to reconcile her feelings about Catholicism with her son becoming a Jesuit priest.

The author traces her son Patrick’s path from an Omaha Catholic university student with a growing interest in theology to a man who embraced vows of poverty, chastity, and obedience, eventually entering the Jesuit order in 2002. His calling was not easy for her to understand; “What college kid in his right mind would sign up for that?” she wonders. Drawing on vivid memories of Patrick’s studies, his work founding The Jesuit Post website, and his ministry in places ranging from Indian villages to American prisons, Gilger recounts how his vocation tested both his endurance and her own understanding. Alongside Patrick’s story, Gilger delves into her own history, describing a childhood in a large Irish Catholic family, her eventual disillusionment with the Church, and her eventual careers in journalism and academia. The narrative balances family anecdotes—like Patrick’s refusal to press charges after being mugged, or his moving funeral mass for Gigler’s father—with philosophical reflections on faith, doubt, and the pull of maternal love, always circling back to the author’s unease with the permanence of her son’s choices and her own doubts: “What if my son is right? And what if he is not?” Gilger’s prose is consistently engaging—it’s succinct, humorous, and laced with self-awareness. She easily distills complicated theological practices and historical contexts into plain language filled with wry one-liners. (When discussing her attempts to commune with God, she jokes, “Being out of practice, it was a short conversation.”) Her skill as a journalist shines through in her deft scene-setting and dialogue; the author recreates difficult conversations with her son without ever losing her sharp, objective perspective. At times, the narrative can shift into more detached reportage when recounting Patrick’s experiences, diluting the immediacy of the writing; however, Gilger’s ease in relating her most vulnerable moments will quickly draw readers back in. In her hands, even the heaviest of spiritual inquiry never feels excessively solemn.

An exploration of faith, doubt, and family that expertly balances tender recollection with sharp insight.

Pub Date: Nov. 11, 2025

ISBN: 9781958972939

Page Count: 266

Publisher: Monkfish Book Publishing

Review Posted Online: Sept. 10, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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