A flawed but never dull drama.

NIGHT ROAD

A disadvantaged teen finds friendship, acceptance and love with a prosperous Seattle-area family, until a tragic accident changes everything.

Alexa (Lexi) Baill, daughter of a heroin addict, has bounced around the foster-care system for years. A long-lost great aunt, Eva, a Walmart employee, offers Lexi a home in her trailer across the bridge from Pine Island (Hannah’s fictional stand-in for Bainbridge Island) near Seattle. At Pine Island High School, Mia, daughter of Jude and Miles Farraday, and twin sister of Zachary, considers herself an outcast. She bonds instantly with the equally alienated Lexi. Soon, the Farraday’s opulent Pine Island residence is Lexi’s second home. As senior year approaches, Lexi and Zach fall in love and are relieved that Mia approves. Jude, whose days are a pleasant whirl of caring for her elaborate garden and being a supermom, has a strained relationship with her own mother. As seniors, Zach, Mia and Lexi can’t avoid Pine Island’s teen party scene. One foggy night, Zach and Mia get falling-down drunk, and Lexi, less inebriated, urges Zach to let her drive his Mustang home. (The question of who actually drove is left vague, which dodges several moral bullets, to the story’s detriment.) On a hairpin curve, the Mustang spins out and crashes. Mia is thrown from the backseat and killed. Zach and Lexi sustain milder injuries, but Lexi’s blood-alcohol level was above the legal limit, and she accepts the blame for killing Mia. Jude turns against her implacably. Lexi, unwilling to burden Eva with the expense of a trial, pleads guilty to vehicular homicide and serves over five years in prison. While incarcerated, she gives birth to Zach’s child, Grace, and relinquishes her to the Farradays. Grace bears such an uncanny resemblance to Mia that Jude finds it almost impossible to warm to her. Released from prison, Lexi returns to Pine Island, only to find that her daughter is as isolated and distrustful as any foster child. 

A flawed but never dull drama.

Pub Date: March 29, 2011

ISBN: 978-0-312-36442-7

Page Count: 400

Publisher: St. Martin's

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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