by Kristin Hannah ‧ RELEASE DATE: March 29, 2011
A flawed but never dull drama.
A disadvantaged teen finds friendship, acceptance and love with a prosperous Seattle-area family, until a tragic accident changes everything.
Alexa (Lexi) Baill, daughter of a heroin addict, has bounced around the foster-care system for years. A long-lost great aunt, Eva, a Walmart employee, offers Lexi a home in her trailer across the bridge from Pine Island (Hannah’s fictional stand-in for Bainbridge Island) near Seattle. At Pine Island High School, Mia, daughter of Jude and Miles Farraday, and twin sister of Zachary, considers herself an outcast. She bonds instantly with the equally alienated Lexi. Soon, the Farraday’s opulent Pine Island residence is Lexi’s second home. As senior year approaches, Lexi and Zach fall in love and are relieved that Mia approves. Jude, whose days are a pleasant whirl of caring for her elaborate garden and being a supermom, has a strained relationship with her own mother. As seniors, Zach, Mia and Lexi can’t avoid Pine Island’s teen party scene. One foggy night, Zach and Mia get falling-down drunk, and Lexi, less inebriated, urges Zach to let her drive his Mustang home. (The question of who actually drove is left vague, which dodges several moral bullets, to the story’s detriment.) On a hairpin curve, the Mustang spins out and crashes. Mia is thrown from the backseat and killed. Zach and Lexi sustain milder injuries, but Lexi’s blood-alcohol level was above the legal limit, and she accepts the blame for killing Mia. Jude turns against her implacably. Lexi, unwilling to burden Eva with the expense of a trial, pleads guilty to vehicular homicide and serves over five years in prison. While incarcerated, she gives birth to Zach’s child, Grace, and relinquishes her to the Farradays. Grace bears such an uncanny resemblance to Mia that Jude finds it almost impossible to warm to her. Released from prison, Lexi returns to Pine Island, only to find that her daughter is as isolated and distrustful as any foster child.
A flawed but never dull drama.Pub Date: March 29, 2011
ISBN: 978-0-312-36442-7
Page Count: 400
Publisher: St. Martin's
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Karma Brown ‧ RELEASE DATE: June 12, 2018
A fizzy love story with a serious streak, good for readers who like their conundrums to go down as easily as one of the...
A millennial makes a bad footwear decision, falls on the ice outside a store in Toronto, gets a concussion, and wakes up in the hospital convinced she's madly in love with a man she never married instead of the one she lives with.
In Brown’s (In This Moment, 2017, etc.) latest, Lucy Sparks has “confabulated memory disorder” caused by her injury, so she can’t remember how her engagement to her ex-fiance, Daniel, ended four years earlier; in fact, she feels like it didn’t. She even has distinct memories of their wedding, though it never happened. Which means she also can’t remember falling in love with her current boyfriend, Matt, which makes going home from the hospital to their apartment awkward. Brown makes Lucy’s struggle vivid and stark—she has a lovely life, but, thanks to her injury, she doesn’t feel like it’s hers. Matt’s romantic efforts to jolt her memory are entertaining, as are the minor dramas that result when Lucy’s parents, sibling, and best friend try to help and when Lucy’s return to her communications job is marred by an ambitious co-worker who tries to take advantage of her disability. The final twist and resulting resolution are a bit sudden, but Brown makes the ending plausible enough.
A fizzy love story with a serious streak, good for readers who like their conundrums to go down as easily as one of the cocktails the characters enjoy.Pub Date: June 12, 2018
ISBN: 978-0-7783-1934-4
Page Count: 320
Publisher: Park Row Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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by Armistead Maupin ‧ RELEASE DATE: Oct. 2, 2000
The postmodern, what-is-real? theme highlights Maupin’s intellectual shortcomings rather than his emotional strengths, but...
A touching but rather facile meditation on the way artists manipulate facts in their quest for truth, by the author of Maybe the Moon (1992) and the popular Tales of the City series.
Gabriel Noone’s NPR program, Noone at Night, later turned into a bestselling series of books, has made Gabriel a poster boy for the well-adjusted gay lifestyle—except that, as the story opens, his long-time lover, Jess, has moved out, “to focus on himself for once.” At this fragile moment, Gabriel receives the galleys of a memoir by Pete, a 13-year-old boy dying of AIDS as a result of protracted sexual abuse at the hands of his parents and their customers. Moved by the book’s grit and humor, Gabriel contacts Pete, who now lives with Donna Lomax, the doctor who rescued and adopted him. The two bond over the telephone, and this new friendship helps Gabriel cope with the pain of Jess’s departure and the ongoing angst of his unresolved relationship with his crotchety father, an old-line southern gentleman who has never been comfortable with Gabriel’s sexual orientation—or with emotions of any kind. But then Jess points out that neither Gabriel nor anyone else has ever seen Pete, and that the boy’s voice bears striking resemblance to Donna’s. Is Jess just jealous, or is he performing his usual task of reasserting reality for Gabriel, “a fabulist by trade” who for years, in completely good faith, embellished a friend’s actual wedding in India with a completely fictitious jeweled elephant. Gabriel’s doubts about Pete grow, but he’s unwilling to let go of his beloved phone buddy, who is clearly telling the truth about someone’s agonized past. The deathbed reconciliation between Gabriel and his father is trite, but the final phone call from Pete (by now supposedly dead) will give you the creeps and move you to tears almost simultaneously.
The postmodern, what-is-real? theme highlights Maupin’s intellectual shortcomings rather than his emotional strengths, but strong storytelling, punchy humor, and a warmhearted narrator carry the day.Pub Date: Oct. 2, 2000
ISBN: 0-06-017143-X
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
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