McMorris’ strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.
Two narratives, one concerning Nazi spies and the other a troubled boy in contemporary Oregon, begin to converge at the halfway point in this novel of espionage, reincarnation and doomed romance.
For the first 100 pages, there is little to connect the two stories, told in alternating chapters. Recently widowed veterinarian Audra is coping with her 7-year-old son’s increasingly erratic behavior. Audra hopes moving cross-country will distance them from the pain of her husband’s death. The other story concerns Vivian, an American diplomat’s daughter, living in London on the eve of World War II. The independent Vivian is conducting an illicit affair with Issak, an American of Swiss descent, who is at university in London. As war becomes inevitable, Issak begs Vivian for help in relocating his family from Germany to Switzerland (he confesses to a lot of holes in his life story: His family is actually German, where they returned after his childhood in America; they’ve been forced by the Nazis to cooperate) by getting information from her father’s intel reports. Vivian is suspicious, but her love for Issak outweighs concerns for international security. As it happens, Vivian is sent back to America, and Issak, who promised to accompany her, is stuck in Germany trying to help his family. Back in Portland, Audra has read a book on the effects of reincarnation on children. The whole thing seems crazy to her, but then the details (Jack’s drawings of Nazis in electric chairs, his obsession with flying, his mumblings in what seem to be German) build a compelling case to a mother at wit’s end. When Audra shares her theories with Jack’s paternal grandparents, they sue her for custody of Jack. Audra feels that her only hope is to research the German name she has, with the help of wounded veteran Sean Malloy, a man Jack is inexplicably drawn to and, unbeknownst to everyone, Vivian’s grandson. Back in the States, Vivian works on a military base as a telephone operator, where she begins a romance with charming military intelligence officer Gene Sullivan. But then one day, Issak contacts her. He is in New York, sent by the Nazis as the head of a secret force sent to invade America. And he asks her to risk everything and trust him again.
McMorris’ strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.Pub Date: Nov. 26, 2013
ISBN: 978-0-7582-8116-6
Page Count: 464
Publisher: Kensington
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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