An upbeat and thoughtful blend of romance and politics.
In Ford’s debut novel, an unwed woman has her sights set on political office and searches for a powerful partner to help get her there.
Soon after U.S. Rep. White (R-Florida) secures another term, he taps his campaign manager, Megan Thompson, to be his 2018 successor, and he offers her a job as his aide in Washington, D.C., in charge of energy and environmental legislation. However, the fact that she’s a single woman—she recently called off a wedding when she discovered that her fiance cheated on her with her best friend—could be off-putting to voters, especially social conservatives. So White arranges for Megan to go on a dating tour to find a “strategic power match,” though she largely finds disappointment instead. Eventually, though, she meets Brock Tolbert, a spokesman for the National Rifle Association who’s charming, well-connected, and handsome—politically perfect. Meanwhile, she sees her new roommate, Andrew Croswell, as the bane of her existence; she thinks that he’s a smug, opinionated, “liberal libido killer.” He works for a group that’s lobbying for a more robust approach to climate change. Although his and Megan’s relationship begins in mutual acrimony, their enmity soon eases into friendly détente and then sweetly flirts with something deeper—and less platonic. Author Ford pulls off an impressive trick, artfully combining two seemingly incongruent genres in a companionably lighthearted romance and an astute political commentary on transcending partisanship. The author has a refreshing talent for humanizing ideological conflict, and both Megan and Andrew turn out to be far more complex than their political leanings would suggest. The plot occasionally loses its steam and slows to a meandering stroll, and the novel as whole would benefit from a shorter page count. Also, Andrew is initially presented as so insufferably shrill, that it isn’t easy for Ford, or the reader, to get rid of that first impression. However, this is a subtly ambitious work that doesn’t shy away from contentious subjects, such as same-sex marriage and climate change, and it squarely confronts the most controversial topic of the day—the presidency of Donald Trump.
An upbeat and thoughtful blend of romance and politics.Pub Date: July 15, 2018
ISBN: N/A
Page Count: 448
Publisher: CreateSpace
Review Posted Online: June 20, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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