Achingly beautiful, this collection signals a writer to watch.
Despite long winters and a haunting past, a remote town thrums with life.
The Russian port town of Magadan, a former threshold into the Stalin-era gulags, links the characters in Melnik’s gorgeous debut collection of short stories. Balanced on the eastern edge of Russia, Magadan is home to an eclectic population, including engineers and artists who first worked in the forced-labor camps and then stayed, working side by side with their former guards. Everyone endures deprivation, isolation, resignation. Worse, the past seems to linger in the blood, contaminating relationships and tainting dreams. In the best of her tales, Melnik’s characters—many of whom pop up in more than one story, as Melnik traces the fortunes of friends, relatives and descendants—long for at least a reprieve, if not a transcendent moment. A young wife and mother travels to Moscow for the annual shopping trip, waiting in endless lines for items unavailable back home, such as fresh fruits, school supplies and boots. Can she resist an Italian soccer player who tempts her with a night without drudgery? Craving the freedom she believes marriage offers, a young woman weds a military school graduate posted even further east. Can she make her marriage successful through the sheer force of her will? A mother takes her daughter, beset by mysterious migraines, to visit a witch with curious healing methods. A young boy performing Tchaikovsky finds his thoughts invaded by memories—memories he could not possibly possess himself but which must inhabit the music. Curious about the famous tenor who missed his own celebratory concert, a young woman asks her grandfather to tell her the story of the man’s life. Yet the tale leaves her unsettled about her country’s past and her own future.
Achingly beautiful, this collection signals a writer to watch.Pub Date: May 13, 2014
ISBN: 978-1-62779-007-9
Page Count: 288
Publisher: Henry Holt
Review Posted Online: March 19, 2014
Kirkus Reviews Issue: April 1, 2014
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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