TADPOLE REX

A tiny frog unleashes his inner tyrannosaur when his diet changes from plants to prey. In prehistoric times, a timid polliwog lies in the mud at the bottom of his puddle, hiding from predators. The rhyming text, fruity with primeval “bloops” and “floops,” follows his growth as he becomes a frog. And then he hides no more. In touch with his inner predator, he ribbets for all to hear, attracting the attention of the large dinosaurs: “Bouncing about with the boldest of hops, / Rex nearly tripped a triceratops.” Having taken his stand, he then quietly returns to skulk in his puddle, only his eyes visible above the surface. The swampy greens and hard edges of the digitally colored scratchboard artwork suit the prehistoric period and rough scales of the dinosaurs perfectly, while the varying scale of the illustrations will keep readers on their toes—Cyrus is a master of the extreme close-up. Readers will thrill to the action and suspense while teachers will appreciate the subtle lesson on the life cycle of frogs. (author’s note) (Picture book. 4-7)

Pub Date: June 1, 2008

ISBN: 978-0-15-205990-3

Page Count: 40

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2008

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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Chilling in the best ways.

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CREEPY CRAYON!

From the Creepy Tales! series

When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 25, 2022

Kirkus Reviews Issue: June 15, 2022

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