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FLICKERING SHADOWS

Barbados native Kamau, mixing magic realism and political rhetoric, tries but fails in this first novel to create a searing portrait of oppression on a Caribbean island. The story is told by the dead grandfather of Cephus, one of the protagonists. Now a spirit, the grandfather keeps a protective eye on his kin and makes judicious appearances to those of the living who have the gift of second sight. He recalls how the island won independence from Britain only to end up with a prime minister, Anthony Roachford, even more oppressive and corrupt than the colonial masters. The tale opens as a white missionary and his wife move in and begin proselytizing. The two are observed with distrust by the locals, like Cephus, a farmer, and Boysie, a former sailor, who as Brethren members worship their ancestors and the old African spirits. Cephus's wife Doreen, in love with Boysie, joins the new church but most remain suspicious of the newcomers. With good reason, too, because Pastor Wright and wayward wife Sandra, who seduces a local lad, are bad news. They're hypocritical and corrupt, and thus fitting representatives of the West, but the local oligarchy is not much better; only the poor are pure. Roachford gives money for a new church while the locals lack housing; a hurricane devastates the region, and no aid is forthcoming; bauxite is discovered but not enough to satisfy those who've invested in the search for it. They decide instead to build a resort on land stolen with the Pastor's connivance. A revolution planned by Cephus and Boysie goes horribly wrong as Roachford gets help from the West; the good and the bad die violently; and all the despairing spirits can do is to remind people of ``who they are, where they came from.'' Despite the beguilingly effective uses of lyric symbolism and lilting Caribbean speech, the heavy agenda and almost farcically melodramatic plot make for a disappointing debut.

Pub Date: Sept. 1, 1996

ISBN: 1-56689-049-7

Page Count: 304

Publisher: Coffee House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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