by Kyle Bradford Jones ‧ RELEASE DATE: April 2, 2020
This immersive, eye-opening journey reveals the effects of mental illness on a physician.
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A young doctor valiantly juggles the stresses of a medical career and the agonies of chronic mental illness.
Family physician Jones’ debut memoir portrays the author as a man struggling with “major depressive disorder and generalized anxiety disorder” while pursuing a demanding career. Narrated with an affable, conversational tone, the book begins with an enlightening tour of Jones’ workplace, where the smells of a hospital are “so pervasive that you can’t wash it out of your scrubs.” The mental distortion of the disorders complicated his relentless physician residency, which stretched over many years. Able to identify several possible contributing factors to his condition, the Utah-born author saw his episodes of extreme stress begin to worsen while a teenager on a two-year Church of Jesus Christ of Latter-day Saints mission in Ukraine in 2000, which Jones meticulously details with great dexterity. This condition intensified further in medical school and well into a marriage that spawned four children, with the accompanying worries that he would pass his condition to his offspring. The author dubs his anxiety the “gargoyle forever watching me,” a monster responsible for uprooting what should have been placid moments throughout his life. Chapters where he explains his condition with statistical data and personal opinions and history are confidently and honestly written. Readers who have these types of psychiatric ailments will find those sections greatly relatable and resourceful. Anecdotes from his compelling medical career and assorted patient stories further personify and enliven a memoir that has a unique combination of both troubling and inspiring elements. Even for a man of devout faith, the hard truths about his mental illness became evident when he pleaded for help from his higher power, which resulted in negligible change to his condition. “Sometimes the answer is no,” he acknowledges. Jones also writes about the social stigma of mental illness, which many cultures consider a “moral failing.” For physicians battling psychiatric issues, his illuminating, forthright memoir closes with proven methods to improve doctors’ well-being. But the author encourages all readers to cultivate their inner strength and “be content and successful despite ongoing weakness.”
This immersive, eye-opening journey reveals the effects of mental illness on a physician.Pub Date: April 2, 2020
ISBN: 978-1-68433-455-1
Page Count: 348
Publisher: Black Rose Writing
Review Posted Online: March 4, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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