Plenty of action, plenty of fun.
Fade is a badass operator whom even a coma can’t stop.
Salam al-Fayed is an ex-SEAL, ex-CIA, and ex-Homeland Security agent, an American of Arab descent who takes out an entire Black Ops team that’s charged with either “recruiting him or burying him.” You can call him Fade, as everyone else does. He’s a brave warrior and antihero who tries to help a girl in distress and gets stabbed and shot in the melee. He winds up in a coma from which he may never awaken, but of course he does. Then he may be destined to spend "the rest of his life rotting in a prison hospital bed,” but of course he doesn’t. After being pumped full of meds and blood from ethically questionable sources, he recovers and undergoes extensive rehab. But since the internet thinks he’s dead, his colleague and former friend Matt Egan tells him he’s now Frederick Abdel Darwish (so you can still call him Fade). All this is a creative setup for what is otherwise a standard thriller. Legendary warrior that he is, greater powers intend to use him for their own questionable purposes. Enter the obscenely wealthy Jon Lowe, who’s decided that the world’s so messed up he has no choice but to take it over. To make it a better place, of course. There’s also a Chinese scientist who engineered Covid-19 to target people over 70, whom he believes are useless. He’s going to try again, by creating a weapon of mass destruction from the building blocks of life. Reports of a secret lab bring a team including Fade to Madagascar, where they find a drought-stricken village that criminals are robbing of food aid. In the wilderness, Egan sets a challenge to a five-man team including Fade in which only four of them can possibly succeed. The unexpected result adds another dimension to Fade’s personality—he’s not a cardboard-cutout killer. One may sense that Mills began with a title and then built a character and story around it, but that’s fine. In time, a beautiful woman is assigned to share his apartment and watch over him, subject to terms and conditions. For example, sex no more than seven times a week. With that, the reader might expect at least one vivid sex scene. Alas, no. One person notes that Fade, pushing 40, was half nuts even before the coma. Apparently, that doesn’t change.
Plenty of action, plenty of fun.Pub Date: July 29, 2025
ISBN: 9798893310399
Page Count: 336
Publisher: Authors Equity
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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