A tight series installment that thrives on narrative risk.

PERISH

From the Jack Harper Trilogy series , Vol. 2

In Barlow’s thriller sequel, 18-year-old Jack Harper attempts to break free from a tragic past, until she hears the siren’s song of revenge.

As this installment opens, Jack watches a mansion burn. She’s destroyed the headquarters of the Infinitum cult run by her father, Cyrus. Lutin, a supernatural being known as a ferric, gave her the power to resurrect the dead, but has now vanished from her life. Jack drives Cyrus’ car from Basille, Louisiana, to New York City to “build my life, one brick at a time.” Initially, the stimulating metropolis invigorates her. Then she sees that Cyrus’ downfall—and the location of the car she stole—have made the news. She eventually settles into a routine of robbing people in Central Park so she can afford an apartment under the alias Sarah Anderson. She’s shocked when she starts receiving letters from children from around the country who are still trapped in the cult’s network; somehow, her precautions have come to naught, and Jack realizes that her attempt at a new life is a fantasy. As she attempts to retreat into drug use, she meets Patrick Flannigan, a princely party animal who turns out to be the target of a criminal syndicate; his father owns the mysterious Lucient Laboratories, which may have a connection to Jack’s past. Barlow’s remarkable sequel keeps the tension high, and the twists consistently feel fresh and unexpected. Jonathon Roth, later introduced as the leader of the criminal Outfit organization, proves a compelling foil for Jack. The protagonist’s quest for self-possession is never eclipsed by the supernatural pyrotechnics, although the action scenes are remarkably cinematic: “Blood exploded from beneath his right cheekbone. Teeth flew out of his mouth to rattle off the windshield.” The final third consists of carefully arranged surprises, each adding psychological complexity to the story—and hints that the next volume will be even grander.

A tight series installment that thrives on narrative risk.

Pub Date: Oct. 13, 2020

ISBN: 978-1-64428-137-6

Page Count: 288

Publisher: Rare Bird Books

Review Posted Online: April 23, 2021

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A masterful debut from a must-read new voice in fantasy.

FOR THE WOLF

Twin princesses—one fated to become a queen, the other a martyr—find themselves caught up in an unexpected battle of dark magic and ancient gods.

Four hundred years ago, a Valleydan princess facing a loveless betrothal sought refuge in the Wilderwood with her lover, the Wolf. The legendary Five Kings—including her father and her husband-to-be—pursued them only to be trapped in the Wilderwood. Now, according to legend, the only hope of restoring the Five Kings to power lies in the ritual sacrifice of every Second Daughter born to Valleyda's queen. There hasn't been a second daughter for 100 years—until now. On her 20th birthday, Redarys accepts her fate and walks into the Wilderwood to become the Wolf's next victim only to find that the stories she grew up on were lies. The handsome man who lives in a crumbling castle deep in the forest is not the original Wolf but his son, and he wants nothing to do with Red or her sacrifice. Afraid of her wild magic abilities and the danger they pose to her sister, Neverah, Red refuses to leave the Wilderwood. Instead, she clings to the new Wolf, Eammon, who will do whatever it takes to protect her from the grisly fate of the other Second Daughters. Meanwhile, in the Valleydan capital, Neve's desperation to bring her sister home sets her on a path that may spell disaster for Red, Eammon, and the Wilderwood itself. Whitten weaves a captivating tale in this debut, in which even secondary characters come to feel like old friends. The novel seamlessly blends "Little Red Riding Hood" and "Beauty and the Beast" into an un-put-down-able fairy tale that traces the boundaries of duty, love, and loss.

A masterful debut from a must-read new voice in fantasy.

Pub Date: June 1, 2021

ISBN: 978-0-316-59278-9

Page Count: 448

Publisher: Orbit

Review Posted Online: April 14, 2021

Kirkus Reviews Issue: May 1, 2021

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A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

THE SWALLOWED MAN

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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