Both a time capsule, and a ticking bomb, of womanhood repressed in service of societal conformity.
Freshmen at an exclusive Southern women’s college bond, and their swings between obedience and recklessness lead to long-term trauma.
Alumnae of Bellerton College should be able “to hold our own during conversations on both politics and literature, and we would also know how to arrange excellent charcuterie. We might be smarter than our husbands, but at Bellerton we would have learned the necessary tact to never point this out.” It’s 1951, and in the Old Dominion State, young women are expected to graduate with both B.A. and M.R.S. degrees, flaunting engagement rings even before mortarboards are donned. Deena Evangeline Williams knows this before she arrives at her room in South Hall. Despite her background—she was raised by her housecleaner grandmother—Deena hopes to learn her peers’ ways while she keeps a secret that might ruin her chances for a Bellerton-approved future. If this territory has been mined by other writers, it doesn’t matter much as debut novelist Dunham juggles gothic elements including a nasty poetry professor, a drunken misery of a housemother, and glimpses of ghosts in the campus trees. Queen Bee Ada May Delacourt; closeted Winifred (Fred) Scott and her bestie, Sheba Wyatt; Nell Lawton-Peters; and Prissy Nicholson from Texas at first hew so closely to the expectations of Mrs. Tibbert, the wife of the college’s president, that she declares them the Belles of their class. But small things start to go missing from the girls’ rooms and as they snipe at each other, they also discover how good it feels to be bad, brandishing their signature hair ribbons like battle standards and roaming the woods at night, damn the consequences. Deena begins to encounter the apparition of a 19th-century student, Mary Burden, and wonders why only she can see her; even if readers guess, they’ll already be under the spell of this isolated school. As the Belles prepare for their 50th reunion in 2002, their 21st-century lives offer bitter commentary on the real lessons they learned.
Both a time capsule, and a ticking bomb, of womanhood repressed in service of societal conformity.Pub Date: Sept. 9, 2025
ISBN: 9781668084861
Page Count: 304
Publisher: Atria
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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