Much like The Nanny Diaries—sincere and readable.
A struggling young tutor tries to find her destiny among the children of privilege in this cutting peek at the vicious world of college applications.
Based largely on personal experience, Crawford’s debut novel explores the rarefied world of Anne, a bright but world-weary English major who has fallen into the unusual trade of “Application Whisperer,” helping affluent Chicago high school students tweak their personal essays and nail their college applications. Anne is also wrestling with her personal identity, unsure of her own talents, ambitions and security. The novel focuses on Anne’s students, all of whom are blandly unique in their own way. There’s a hunky young tennis player who only wants to run with the wild horses in Montana, the wealthy daughter of an Ivy League university trustee and a gay theater buff afraid to confront his aggressive father. The ringer in this exclusive club is Cristina, a Guatemalan illegal immigrant whose brilliance belies her origins. “She was helpless to reframe eighteen years of parenting and generations longer of expectations,” Crawford writes of Anne. “She was just a custodian of fate, as she pictured herself now, an orderly, shuffling alongside these kids. Perhaps offering them a bon mot. Sending them through the next set of doors, and turning back each spring to where the new kids were waiting.” And while the children are all well-characterized, their parents are portrayed with enough delicious malice to flirt with satire. To ratchet up the personal drama, Crawford tosses in Martin, a vain but ambitious young actor whose boyfriend status seems like a fleeting afterthought, and a nasty upstairs neighbor who plots to unravel Anne’s perilous residency in her building. Crawford injects a palpable sense of pathos into this absurdly complex process, but non-parents and other parties immune to the cult of the Tiger Mother may find trolling through adolescent essays a bit laborious.
Much like The Nanny Diaries—sincere and readable.Pub Date: Aug. 27, 2013
ISBN: 978-0-06-224061-3
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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