A powerful, topical, and incisive memoir.

NOTES ON SILENCING

A novelist’s account of how she struggled to come to terms with a traumatic sexual assault that the boarding school she attended actively tried to cover up.

Crawford entered the prestigious St. Paul’s School when she was 14. The daughter of socially ambitious upper-middle-class parents who believed in “the value of education,” she immediately felt out of place among her privileged, preternaturally sophisticated classmates. On the first day of school, she discovered that many of her age-mates already had older lovers whom they visited without their parents’ knowledge. Other aspects of St. Paul’s—racism, social hierarchies, and faculty sexual harassment of female students—also disturbed the author, who was diagnosed with clinical depression, but left her parents “unmoved.” The year after she started, Crawford was forced to perform oral sex on two popular senior athletes who threatened to report her for breaking school curfew. She developed a bleeding sore throat the school infirmary diagnosed as stemming from canker sores. Crawford later learned that the school doctor had actually noted she suffered from herpetic lesions. Branded overnight as a “whore” by fellow students, the author soon found herself excluded from female peer groups and scornfully pursued for sex by male students. When her parents became involved, school administrators told them that the “encounter…had been consensual,” implied that Crawford already had herpes, and threatened to destroy her Ivy League future if she did not remain silent. Even after detectives found proof of the school’s wrongdoing more than 20 years later, Crawford’s case was dropped because St. Paul’s influence extended deep into New Hampshire state government. Trenchant in its observations about the unspoken—and often criminal—double standards that adhere in elite spaces, Crawford’s courageous book is a bracing reminder of the dangers inherent in unchecked patriarchal power.

A powerful, topical, and incisive memoir.

Pub Date: July 14, 2020

ISBN: 978-0-316-49155-6

Page Count: 400

Publisher: Little, Brown

Review Posted Online: April 20, 2020

Kirkus Reviews Issue: May 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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