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THE BRAID

An impeccably crafted love letter to the oft-unseen and ignored work of women across the world.

True to its title, this novel, which was published as La Tresse in France in 2017, weaves together the stories of three intrepid women living in different countries.

In India, Smita demands a better life for her daughter than the one she has known as a member of the Dalit caste. In Italy, Giulia must secure her family’s future after an accident befalls her father, patriarch of the last traditional hairpiece and wig workshop in Palermo. And in Canada, Sarah faces breast cancer without support. Colombani tells these stories in concise chapters that alternate among the three women's points of view. While most of the novel unfolds in these close third-person perspectives, a few brief interludes, including a prologue and an epilogue, punctuate the narrative with the lyrical first-person voice of a fourth woman, adding even more texture and depth to the already charming story of how these women’s lives connect. Colombani’s prowess as a film and theater writer is on full display. The prose hums along without fuss, and several chapters end with terrific suspense. Only occasionally does the story stall, as when the author shoehorns in exposition to make a point about gender inequality or when she oversteps by making too direct a comparison between characters’ lives. Smita's, Giulia's, and Sarah’s individual stories and how they’re interconnected are strong enough elements on their own without any false equivalencies. While the novel presents a romanticized version of globalization, it’s unapologetic about its agenda of celebrating the bonds of womanhood. The story’s masterful structure and plotting more than make up for the narrative’s rose-colored glasses.

An impeccably crafted love letter to the oft-unseen and ignored work of women across the world.

Pub Date: Sept. 24, 2019

ISBN: 978-1-9821-3003-9

Page Count: 224

Publisher: Atria

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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