An impeccably crafted love letter to the oft-unseen and ignored work of women across the world.

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THE BRAID

True to its title, this novel, which was published as La Tresse in France in 2017, weaves together the stories of three intrepid women living in different countries.

In India, Smita demands a better life for her daughter than the one she has known as a member of the Dalit caste. In Italy, Giulia must secure her family’s future after an accident befalls her father, patriarch of the last traditional hairpiece and wig workshop in Palermo. And in Canada, Sarah faces breast cancer without support. Colombani tells these stories in concise chapters that alternate among the three women's points of view. While most of the novel unfolds in these close third-person perspectives, a few brief interludes, including a prologue and an epilogue, punctuate the narrative with the lyrical first-person voice of a fourth woman, adding even more texture and depth to the already charming story of how these women’s lives connect. Colombani’s prowess as a film and theater writer is on full display. The prose hums along without fuss, and several chapters end with terrific suspense. Only occasionally does the story stall, as when the author shoehorns in exposition to make a point about gender inequality or when she oversteps by making too direct a comparison between characters’ lives. Smita's, Giulia's, and Sarah’s individual stories and how they’re interconnected are strong enough elements on their own without any false equivalencies. While the novel presents a romanticized version of globalization, it’s unapologetic about its agenda of celebrating the bonds of womanhood. The story’s masterful structure and plotting more than make up for the narrative’s rose-colored glasses.

An impeccably crafted love letter to the oft-unseen and ignored work of women across the world.

Pub Date: Sept. 24, 2019

ISBN: 978-1-9821-3003-9

Page Count: 224

Publisher: Atria

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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