Tamedy explores a forgotten trail of American history to find an intriguing tale of love, family and perseverance in the...
In her third novel, Tademy (Red River, 2007, etc.) draws a tale of courage and family loyalty from a dark corner of American history.
The young slave Tom is yatika—interpreter—for Alabama Creek chief Yargee, but he’s called Cow Tom for his gift of understanding, hilis haya, of cattle. As the Remove begins—Southern tribes being exiled to Indian Territory—Yargee rents Cow Tom to Gen. Thomas Jesup as a "linguister" to fight the Second Seminole War. War over, Cow Tom, his wife, Amy, and daughters Malinda and Maggie are caught up in a desperate river journey to Fort Gibson in eastern Oklahoma. Cow Tom's hard bargaining earns the family's freedom, but it's a long, hard struggle with prejudice before those with African-American blood are allowed into tribal roles. Tademy’s research lends veracity to the tale, which later shifts to the perspective of Rose, Cow Tom’s granddaughter. Prospering until the Civil War, the family is driven from their land by Confederate Lower Creeks. There’s only spare protection at Fort Gibson—"Surrounded by sickness and starvation and suffering." Recognizing "[t]he world was a harsh place, guaranteed of quicksilver change and backhand slaps," Cow Tom builds a new homestead and prospers, taking a role as chief among African Creeks. Rose marries a half-Indian cowboy and begins to ranch, struggling against her husband’s fickle regard for his vows and raising two of his children with other women as her own. Rose and Cow Tom drive the intense narrative, with Tademy’s knowledge of Creek life, from turban headgear to corn sofki to fermented cha-cha, offering authenticity. Tademy’s tale remains intense throughout, from the genocidal war in Florida—Tom, "not yet thirty, his life an endless trail of death patrols"—to the desperate struggle to hold onto property against prejudice—"We are Negro, and we are Creek, not one or the other but both."
Tamedy explores a forgotten trail of American history to find an intriguing tale of love, family and perseverance in the struggles of proud African Creeks.Pub Date: Nov. 4, 2014
ISBN: 9781476753034
Page Count: 432
Publisher: Atria
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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