An irreverent, candidly introspective exploration of toiling with loneliness that will leave readers feeling not so alone.
One woman’s quest for companionship in a culture progressively geared toward isolation.
In her first book, about dealing with one’s own solitude, Moore—the Onion writer, former sex and relationships editor at Cosmopolitan, and creator of the comedy show Tinder Live!—doesn’t compile reams of statistics, comparative studies, or clinical evidence. Rather, she takes readers on a playful ride through her life, examining relationships and nonrelationships alike as she both actively engaged in and passively avoided assuaging that aching search for friendship and love. Swinging from the euphoria of newfound friendship to the despairing trenches of love lost, each chapter becomes a foray into universally themed experiences for women of all ages and sexual persuasions—e.g., “Please Just Be a Good Person So I Can Finally Be Someone Who Has Friends,” which details the adolescent exploits with her friends and the confusion of teen gender roles and intimacy between girls. In “I Liked Dating You Better in My Head,” Moore explores a long-term romance with a man that ended up unraveling into a textbook co-dependency in which the couple was in love with future possibilities rather than the empty reality of now. Moore’s fast-clip wit, hilarious allegories, and conversational prose knock down the uncomfortably sharp edges of facing aloneness. Comparing her own life to scientist Harry Harlow’s monkey love experiments, Moore teases, “I have always identified with the kind-of-dying monkeys who technically had food, but desperately wished they had softness and care too.” Later, in a brief manifesto of women’s romantic needs, she asks, “why did we stop wanting dinner and a movie and maybe flowers?....When did we start thinking that courtship was too time-consuming and everything romantic comedies waxed on about was just a dumb fairy-tale concept, instead of our expectations for romantic love? I’m tired of pretending I’m cool with whatevs. I’m tired of pretending that laziness can replace thoughtfulness and still be acceptable to me.”
An irreverent, candidly introspective exploration of toiling with loneliness that will leave readers feeling not so alone.Pub Date: Nov. 6, 2018
ISBN: 978-1-5011-7883-2
Page Count: 240
Publisher: Atria
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Sept. 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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