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DANGEROUS GROUND

Strong satisfactions without accenting heroics. Well done indeed.

Bond solos on this submarine story that sends a docked aviator to serve in a submarine.

This light melodrama tells of life on and the operation of a submarine. Lt. Jerry Mitchell, in his last week of naval flight training, finds his plane cartwheeling, and suffers such a severely broken arm that he’s to be cashiered when he asks to be transferred to submarine service. Trained on the Manta prototype, an information-seeking submersible, he’s assigned to the Memphis, a sub about to leave New London. The sub was to be decommissioned, but it has been given one last job: to go to Russian waters and check on hazardous radioactive waste the Russians have dumped underwater. Also on board are two women, Drs. Joanna Patterson and Emily Davis, both very knowledgeable engineers under the aegis of the president himself, who wants to present their findings at a forthcoming world environmental meeting. Assigned to manage the torpedo room, Mitchell has two heavy hands to deal with: Captain Hardy, who dislikes him for his political pull at getting his berth on the sub, and Senior Chief Foster, his top hand with torpedoes. During training exercises at sea, Mitchell’s aviation smarts help him outwit Captain Hardy himself, a master of sub tactics. The two doctors at last reveal that they want to use two torpedo tubes for housing two submersibles for recovering radioactive materials from the sea bottom and from leaking cans of radioactive waste. We can tell you that while the Russian waste disposal is within allowable limits, someone has stolen some nuclear warheads and hidden them in the Kara Sea for later resale. Eventually, the familiar “run silent, run deep” scenario arises when the sub is discovered by echo-location and must make its way out of Russian waters, again with Mitchell’s aviation smarts.

Strong satisfactions without accenting heroics. Well done indeed.

Pub Date: June 1, 2005

ISBN: 0-765-30788-X

Page Count: 368

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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