BLACK EAGLES

Collins (Maze, 1989, etc.) blends fact with fancy in a transnational melodrama, plausibly settling any lingering doubts as to the origin of crack, how Nicaraguan contras were financed, and the importance of Panama for laundered money as well as narcotics. Much of the tale is narrated (via tape) by the late John Featherly (Jack) Lind IV, an affluent and well-bred CIA officer. It's in 1988 Laos that Lind first confronts Kevin Grady, a dedicated DEA agent who can't accept the cloak-and-dagger crowd's winking at the drug-smuggling activities of its ad hoc allies. After their initial meeting, the instant antagonists go their separate ways, Grady to place an informant inside Colombia's Medell°n cartel and Lind to recruit promising young officer Manuel Antonio (``call me Tony'') Noriega as the CIA's man in Panama. Over the years, Noriega gains power and influence, becoming an invaluable source of intelligence. By the time the Reagan Administration decides to make Panama the keystone of its anti- Sandinista campaign, then, agency people like Lind have long turned a blind eye to Noriega's lucrative involvement with dope traffickers. Meanwhile, less concerned than Lind with the finer points of national security, Grady continues to stalk big-time drug dealers to the ends of the earth—including Noriega and the Cuban mercenaries the CIA has set to training contras with funds supplied by can-do Marine colonel Oliver North. (During all this, Medell°n's deep thinkers have developed crack to get the carriage-trade price of coke in US ghettos.) Lind warns Noriega of the DEA's approaching investigation; the strongman promptly orders the murder of an American undercover opponent of his regime; and, finally, Lind is forced at last to face the consequences of actions he's taken in the so-called national interest . . . just as Grady arrives with a warrant for his arrest. An engrossing, wide-angle yarn that could help confirm many conspiracy theorists' wilder suspicions and speculations.

Pub Date: Nov. 9, 1995

ISBN: 0-525-93971-7

Page Count: 432

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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