A slow-starting legal thriller that later shows its teeth with fierce courtroom drama.
In Thompson’s (Dead Peasants, 2013, etc.) new legal thriller, an attorney works his first criminal case, defending his mentally ill brother against murder charges.
After Debbie Robinson is attacked and killed on her morning jog, police quickly a pinpoint a suspect: Dan Little, a paranoid schizophrenic who ran away from the scene of the crime. The cops think they’ve got their man, since he was found with Debbie’s braceletand her blood on his sneaker. But Dan’s half brother, Wayne, a lawyer who specializes in civil cases, believes that Dan is innocent. A plea of insanity seems like the best option, but that’s not so easy to prove in a Texas court, and Wayne has his work cut out for him: Dan’s latest experimental medications make him seem uncharacteristically lucid, and Wayne’s expert witness may be hitting the bottle too hard. The assistant district attorney, meanwhile, has her own expert: Dr. Frederick Parke, a forensic psychiatrist, who’s secretly the perpetrator of the crime. Meanwhile, Wayne’s friend and love interest, Rita, a computer tech and former private investigator, looks into a pattern of murders of female joggers, hoping to exonerate Dan by exposing a serial killer. Thompson’s novel initially feels slow-paced, as it follows the terrifying assault on Debbie with a significant amount of back story about the Littles, Rita and Dr. Parke. However, this section effectively establishes the subsequent story, which reveals Parke’s twisted mentality (he’s murdering people as part of a personal study on serial killing). There’s also a surprisingly understated romance between Wayne and Rita which develops as the story progresses. The author does diminish the suspense by divulging the murderer’s identity and making readers confident of Dan’s innocence so early; it also somewhat lessens the impact of the showdown between Wayne and Parke when the scientist is finally called to testify on the stand. However, the courtroom scenes often soar; they’re intoxicating when Wayne pokes holes in the prosecutors’ case and nail-biting when the assistant district attorney tears apart the defense’s witnesses.
A slow-starting legal thriller that later shows its teeth with fierce courtroom drama.Pub Date: May 13, 2014
ISBN: 978-0-9897154-7-8
Page Count: 279
Publisher: Story Merchant Press
Review Posted Online: May 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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