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THE INSANITY PLEA

A slow-starting legal thriller that later shows its teeth with fierce courtroom drama.

In Thompson’s (Dead Peasants, 2013, etc.) new legal thriller, an attorney works his first criminal case, defending his mentally ill brother against murder charges.

After Debbie Robinson is attacked and killed on her morning jog, police quickly a pinpoint a suspect: Dan Little, a paranoid schizophrenic who ran away from the scene of the crime. The cops think they’ve got their man, since he was found with Debbie’s braceletand her blood on his sneaker. But Dan’s half brother, Wayne, a lawyer who specializes in civil cases, believes that Dan is innocent. A plea of insanity seems like the best option, but that’s not so easy to prove in a Texas court, and Wayne has his work cut out for him: Dan’s latest experimental medications make him seem uncharacteristically lucid, and Wayne’s expert witness may be hitting the bottle too hard. The assistant district attorney, meanwhile, has her own expert: Dr. Frederick Parke, a forensic psychiatrist, who’s secretly the perpetrator of the crime. Meanwhile, Wayne’s friend and love interest, Rita, a computer tech and former private investigator, looks into a pattern of murders of female joggers, hoping to exonerate Dan by exposing a serial killer. Thompson’s novel initially feels slow-paced, as it follows the terrifying assault on Debbie with a significant amount of back story about the Littles, Rita and Dr. Parke. However, this section effectively establishes the subsequent story, which reveals Parke’s twisted mentality (he’s murdering people as part of a personal study on serial killing). There’s also a surprisingly understated romance between Wayne and Rita which develops as the story progresses. The author does diminish the suspense by divulging the murderer’s identity and making readers confident of Dan’s innocence so early; it also somewhat lessens the impact of the showdown between Wayne and Parke when the scientist is finally called to testify on the stand. However, the courtroom scenes often soar; they’re intoxicating when Wayne pokes holes in the prosecutors’ case and nail-biting when the assistant district attorney tears apart the defense’s witnesses.

A slow-starting legal thriller that later shows its teeth with fierce courtroom drama.

Pub Date: May 13, 2014

ISBN: 978-0-9897154-7-8

Page Count: 279

Publisher: Story Merchant Press

Review Posted Online: May 15, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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