POSTCARDS FROM PINSK

An exuberant account of a Boston psychiatrist whose wife leaves him, who then takes a roommate, and who later discovers that a late midlife crisis is better than none at all. In the late 80's, Orrin Summers, a Beacon Hill shrink in his late 50s, loses his composure when he receives a postcard from wife Gail with the news that she can no longer live with him. What to do (``Even God did not play God so openly—telling people what to do'')? Summers has lived a rather hermetic existence, and now he must begin to look around him. He visits his family—son Clyde, a professor, and his kids—and also takes a roommate, lawyer Eli Paperman (``Justice isn't abstract to me, or even relative. It's absolute, obvious, moral''), who is often away but otherwise ``organizing the tiniest detail of your life.'' After experiencing ``an intellectual renaissance''—notes , ideas, theories, possible papers—Summers finds satisfaction in visiting the Club—cigars, liquor, deep-backed chairs—and in playing the role of grandpa to Clyde's kids. Meanwhile, he investigates his daughter Elspeth's life—she's a rock star who lives in ``in utter Bohemian disrepair'' and who has a coke-dealing reggae drummer for a lover. Summers, of course, is learning to accept the world without manipulating it, and eventually he weathers a depression, as well as a stint in the hospital, and accepts the fact that Gail has flown the coop for good. By then, fortunately, Paperman's ex- girlfriend, Marcie Green, is available, and Summers finds happiness with her (or something resembling it). Sweet-natured—with a quaint hero whom Duberstein (Carnovsky's Retreat, The Marriage Hearse) handles with an appropriate wry tone. In all: an affectionate portrait of a lost soul who doesn't know it until he finds out for himself.

Pub Date: May 1, 1991

ISBN: 1-877946-04-1

Page Count: 224

Publisher: Permanent Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1991

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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