Sheer charm.
Texas-born Hagman, the son of Mary Martin of Peter Pan fame, tells of his life, loves, and liver.
Hagman, often farmed out to nannies and various schools, saw little of his mother after his first year. She’d married at 16, had him at 17, then opened a dancing school, traipsed off to Hollywood, won a Broadway role, and became famous for her strip-tease to “My Heart Belongs to Daddy.” His brawny, hard-drinking lawyer dad tried to toughen him up, took him hunting with the old boys and cases of bourbon, tried to get him laid in a Mexican cathouse. Mother Mary remarried, but Larry couldn’t stand his stepfather. Father Hagman wanted him to be a lawyer and take over his Texas law firm, but Larry opted for acting. Later, his mother got him into Margot Jones’s prestigious theater group in Dallas. Says Hagman: “A lot of people criticize nepotism, but hell, it worked for me.” He quits college and takes up with Margaret Webster’s Shakespeare troupe. He works in musicals in St. Petersburg, Florida, then his mother gets him a small part in South Pacific, her big show. In England, in the Air Force, he mounts shows and tours them about military bases, dates 17-year-old Joan Collins. Later, he lands the part of Tony Nelson, an astronaut whose space capsule lands on an island where he finds a bottle containing a 2,000-year-old genie named Jeannie—and this becomes the long-running TV comedy I Dream of Jeannie. At 34, he crashes from quitting amphetamines and tobacco at once, but soon tries LSD, which he praises for its spiritual visions and lasting insights. The memoir’s highlights are about his role in Dallas and his refusing to tell even the Queen of England who shot J.R. Although he gives up alcohol at 62, his drinking leads to a cirrhotic liver and a transplant, which brings its own visions of the life force.
Sheer charm.Pub Date: Nov. 9, 2001
ISBN: 0-7432-2181-8
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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