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WHEN YOU'RE FROM BROOKLYN

EVERYTHING ELSE IS TOKYO

More good-natured memoirs from the king of chat. King (Tell Me More, 1990, etc.) rules the live airwaves these days. Here, he gives a clue to his success, saying ``I was always...Immediate Gratification King. It's why I love doing live radio and live television.'' It's also why he loves Brooklyn, the subject of these boyhood memoirs. King (born in 1933) was raised there in a Jewish-and-Italian neighborhood where the pursuit of pleasure was the name of the game. Food was ``a religious experience''—miraculous chocolate egg-creams, heavenly blintzes (``eat six or seven, then get right in your car and drive to the hospital for your heart attack''). Adventures with a teenage gang made way for girl-chasing and amateur theatrics. Working one summer in the Catskills, King ``got laid...on home plate at the Grossinger's softball field''; back in Bensonhurst, he matched muscles in a street-corner contest with another local Jewish boy, future Dodger superstar Sandy Koufax. Life revolved around family (lots of eccentric relatives here), sports, and, increasingly, the magic of radio. King imagines what it would have been like to be on CNN back in those days (from a fantasy interview with Hitler: ``It vas the people of Poland who called for us''). Happy memories notwithstanding, times were tough: King's father died young, and his mother went on welfare and worked as a seamstress in a sweatshop. King's prospects seemed gloomy. He was a terrible student, graduating high school with a 66 average; only his chutzpah and good will, both enormous, pulled him through. King concludes with a nostalgic visit to his childhood haunts. Murray the Barber is gone, so is Maltz's Candy Store; the neighborhood is sliding downhill. But still ``those inanimate objects were breathing that weekend, whispering memories to me, making my life full''—and making this reminiscence a warmhearted winner.

Pub Date: Sept. 24, 1992

ISBN: 0-316-49356-2

Page Count: 240

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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