For Billy the Kid, that is—here, a "young, short, dirty, ugly, and violent" killer, but still magnet enough to polarize the fabulous cast of historical and fictional characters that McMurtry (Texasville, 1987; Lonesome Dove, 1985; etc.) assembles in this lustrous new Western entertainment. The man who'd do anything for Billy is Ben Sippy, top author of dime novels such as Boiled in Yellowstone; or, Mustang Merle Amid the Geysers, late of Philadelphia and gone west at age 50 to seek adventure. Adventures he finds in spades, narrating them decades after the fact in short, often cliffhanger chapters that make this rich tale McMurtry's own sophisticated version of a "dimer." Instant failure at train robbery—the train just won't stop for him—finds Ben stranded in New Mexico when Billy comes "walking out of a cloud" towards him, "a pistol in each hand and a scared look on his rough young face." Ben and Billy take a shine to each other and, joined by saintly cowboy Joe Lovelady, roam the West in tandem during the few months that see Billy mutate from novice outlaw—so far, he's murdered only one man, half by accident—into a wanton killer. Along the way, Billy—with Ben in loyal tow—falls afoul of Will Issinglass—richest rancher in the West—and his right-hand man, the seven-foot tall, camel-riding African warrior Mesty-Woolah; mixes up with Doc Holliday, Bloody Feathers, Hill Coe, and other Western legends; is bedded by both Will's chili-pepper-blooded outlaw daughter and ice-goddess British mistress (who sleeps with Ben too); sinks ever deeper into glumness and ill health; and watches his young life turn into an uncontrollable myth as killing becomes a habit that he rides at full gallop towards an early death. Stuffed with excitement, humor, tragedy, and leathery Western lore; centerpieced by McMurtry's vibrant portrait of Billy, scary, pathetic, yet darkly if oddly sympathetic; told in a warm, wise voice that you wish would never cease: this is a golden, always surprising yarn, and a welcome return by McMurtry to the high-stepping form of Lonesome Dove.
Pub Date: Oct. 14, 1988
ISBN: 0743216288
Page Count: 420
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Sept. 15, 1988
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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